A work in constant progress (and occasional regress).
Boom Operator:
2016 Cave
2018 A Stranger Comes Home
Foley:
2016 Cave
2018 A Stranger Comes Home
2018 Aquarium
2021 Frydenlund Hair Parlour
Sound:
2016 Cave
2018 A Stranger Comes Home
2018 Aquarium
2019 Soul of the Sea
2021 Frydenlund Hair Parlour
Sound Designer:
2015 Skive
2016 Cave
2018 A Stranger Comes Home
2018 Aquarium
2019 Soul of the Sea
2021 Frydenlund Hair Parlour
2023 Dancing Queen
Sound Editor:
2015 Skive
2016 Cave
2016 Tindra's Light
2018 A Stranger Comes Home
2018 Aquarium
2019 Soul of the Sea
2020 Everything That Could Have Been
2021 Frydenlund Hair Parlour
2023 Dancing Queen
Sound Effects Editor:
2015 Skive
2016 Cave
2016 Pyromaniac
2016 Tindra's Light
2018 A Stranger Comes Home
2018 Aquarium
2019 Soul of the Sea
2020 Everything That Could Have Been
2021 Frydenlund Hair Parlour
2023 Dancing Queen
Sound Mixer:
2015 Skive
2016 Cave
2016 Pyromaniac
2016 Tindra's Light
2018 A Stranger Comes Home
2018 Aquarium
2019 Soul of the Sea
2020 Everything That Could Have Been
2021 Frydenlund Hair Parlour
2023 Dancing Queen
Sound Re-Recording Mixer:
2015 Skive
2016 Cave
2016 Pyromaniac
2016 Tindra's Light
2018 A Stranger Comes Home
2018 Aquarium
2018 Moddis forbudte sanger
2019 Soul of the Sea
2019 The Puzzle of Christina
2020 Everything That Could Have Been
2021 Frydenlund Hair Parlour
2023 Dancing Queen
Sound Recordist:
2015 Skive
2016 Cave
2016 Pyromaniac
2016 Tindra's Light
2018 A Stranger Comes Home
2018 Aquarium
2018 Moddis forbudte sanger
2019 Soul of the Sea
2019 The Puzzle of Christina
2020 Everything That Could Have Been
2021 Frydenlund Hair Parlour
2021 The Quest for Tonewood
2023 Dancing Queen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.