A work in constant progress (and occasional regress).
Birthplace:
Duluth, Minnesota, USA
Jeremy Wanek is an VFX artist who works in Hollywood.
Editor:
2014 American Beast
2014 The Current
2015 Clean Cut
2017 Black Creek
2017 Level
2017 Miles Between Us
2018 Ahockalypse
2018 The Intervention
2020 Hawk and Rev: Vampire Slayers
2020 Treasure Lies
2021 Stay
2022 Dark Cloud
2022 Death Count
2022 The Infernal Machine
2023 Edge of Insanity
???? Body Language
Editorial Staff:
2014 American Beast
2014 The Current
2015 Clean Cut
2017 Black Creek
2017 Level
2017 Miles Between Us
2018 Ahockalypse
2018 The Intervention
2019 Into the Void
2020 Hawk and Rev: Vampire Slayers
2020 Treasure Lies
2021 Stay
2022 Dark Cloud
2022 Death Count
2022 The Infernal Machine
2023 Edge of Insanity
???? Body Language
Producer:
2014 American Beast
2014 The Current
2015 Clean Cut
2017 Black Creek
2017 Level
2017 Miles Between Us
2018 Ahockalypse
2018 The Intervention
2019 Into the Void
2020 Hawk and Rev: Vampire Slayers
2020 Treasure Lies
2021 Stay
2022 Dark Cloud
2022 Death Count
2022 The Infernal Machine
2023 Edge of Insanity
???? Body Language
VFX Artist:
2014 American Beast
2014 Shockwave Darkside
2014 The Current
2015 Clean Cut
2015 Woodlawn
2017 Black Creek
2017 Dementia 13
2017 Level
2017 Miles Between Us
2017 Victor Crowley
2018 30 Miles from Nowhere
2018 Ahockalypse
2018 Catskill Park
2018 The Good Exorcist
2018 The Intervention
2019 Blood Bound
2019 Into the Void
2019 Itsy Bitsy
2020 Hawk and Rev: Vampire Slayers
2020 I Still Believe
2020 Seven Stages to Achieve Eternal Bliss
2020 Treasure Lies
2021 Hideout
2021 Stay
2022 Dark Cloud
2022 Death Count
2022 The Infernal Machine
2023 Edge of Insanity
???? Body Language
VFX Supervisor:
2014 American Beast
2014 Shockwave Darkside
2014 The Current
2015 Clean Cut
2015 Woodlawn
2017 Black Creek
2017 Dementia 13
2017 Level
2017 Miles Between Us
2017 Victor Crowley
2018 30 Miles from Nowhere
2018 Ahockalypse
2018 Catskill Park
2018 The Good Exorcist
2018 The Intervention
2019 Blood Bound
2019 Into the Void
2019 Itsy Bitsy
2020 Hawk and Rev: Vampire Slayers
2020 I Still Believe
2020 Seven Stages to Achieve Eternal Bliss
2020 Treasure Lies
2020 Tuscaloosa
2021 Hideout
2021 Stay
2022 Dark Cloud
2022 Death Count
2022 The Infernal Machine
2023 Edge of Insanity
???? Body Language
Visual Effects:
2014 American Beast
2014 Shockwave Darkside
2014 The Current
2015 Clean Cut
2015 Woodlawn
2017 Black Creek
2017 Dementia 13
2017 Level
2017 Miles Between Us
2017 Victor Crowley
2018 30 Miles from Nowhere
2018 Ahockalypse
2018 Catskill Park
2018 The Good Exorcist
2018 The Intervention
2019 Blood Bound
2019 Into the Void
2019 Itsy Bitsy
2020 Femalien: Cosmic Crush
2020 Hawk and Rev: Vampire Slayers
2020 I Still Believe
2020 Seven Stages to Achieve Eternal Bliss
2020 Treasure Lies
2020 Tuscaloosa
2021 Cassex
2021 Hideout
2021 Stay
2022 Dark Cloud
2022 Death Count
2022 The Infernal Machine
2023 Edge of Insanity
???? Body Language
Visual Effects Editor:
2014 American Beast
2014 Shockwave Darkside
2014 The Current
2015 Clean Cut
2015 Woodlawn
2017 Black Creek
2017 Dementia 13
2017 Level
2017 Miles Between Us
2017 Victor Crowley
2018 30 Miles from Nowhere
2018 Ahockalypse
2018 Catskill Park
2018 The Good Exorcist
2018 The Intervention
2019 Blood Bound
2019 Into the Void
2019 Itsy Bitsy
2020 Femalien: Cosmic Crush
2020 Hawk and Rev: Vampire Slayers
2020 I Still Believe
2020 Seven Stages to Achieve Eternal Bliss
2020 Treasure Lies
2020 Tuscaloosa
2021 Cassex
2021 Hideout
2021 Stay
2022 Dark Cloud
2022 Death Count
2022 The Infernal Machine
2023 Edge of Insanity
???? Body Language
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.