A work in constant progress (and occasional regress).
Alias:
Jacques Talagrand
Birthplace:
Alès, Gard, France
Born:
October 1, 1909
Died:
January 9, 1988
Thierry Maulnier (born Jacques Talagrand; 1 October 1909, Alès – 9 January 1988, Marnes-la-Coquette) was a French journalist, essayist, dramatist, and literary critic. He was married to theatre director Marcelle Tassencourt. A graduate of the École Normale Supérieure in the same class as Roger Vailland, Robert Brasillach, and Maurice Bardèche. While still a student, Maulnier became active in the integralist Action Française, and published in Charles Maurras' newspaper (L'Action française). He made a career in journalism and took part in the movement of the Non-conformists of the 1930s, inspired by the personalist generation of young intellectuals who shared some of the ideals of the Action Française, holding right-wing beliefs as an answer to a "crisis of civilization" and materialism. He also campaigned against democracy and capitalism, advocating a union of the right and left to overthrow the two. Thierry Maulnier associated with youth periodicals such as Réaction, La Revue du Siècle, and La Revue française; he also wrote his first volume, La crise est dans l'homme ("Crisis Is in Man"). In 1934, he authored, with Jean-Pierre Maxence, the manifesto Demain la France ("Tomorrow, France"). Maxence and Maulnier also founded the weekly L'Insurgé in 1936 lasting only a few months, the magazine circulated nationalist tenets, reviewed in Maulnier's 1938 essay Au-delà du nationalisme ("Beyond Nationalism"). At the same time, he joined Jean de Fabrègues in the creation of a more analytical paper, Combat, one which would be published until France's defeat in World War II. A regular contributor to L'Action française since 1938, Maulnier continued to publish after Nazi Germany's occupation of France (from 1940); he also started writing for Le Figaro. He ceased writing for the paper after the start of Operation Torch in 1942, and remained a journalist for Le Figaro from 1945 until his death. With the beginning of the Fourth Republic, Maulnier no longer engaged in politics. He wrote plays (La Course des rois - 1947; Le Profanateur - 1950, La Ville au fond de la mer - 1953, Le Soir du conquérant - 1970) and essays (Violence et conscience - 1945, La Face de méduse du communisme - 1952, L'Europe a fait le monde - 1966, Le Sens des mots - 1976, Les Vaches sacrées - 1977), but also commented on social themes (with Maulnier as a staunch Pro-European). In 1964, he was elected to the Académie française in place of the deceased Henry Bordeaux. In 1986 he was awarded the Prix mondial Cino Del Duca. Source: Article "Thierry Maulnier" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.