Steve Elkins

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Camera Operator:
2018  Budd Boetticher on the Ranown Cycle

Director of Photography:
1997  Hollywood Dreamers
1998  Internet Love
1998  Mythos Hollywood - Das Geheimnis des Erfolgs
2001  24/7 - Sunset Boulevard
2003  Sunset Motel
2004  Männer im Trenchcoat, Frauen im Pelz
2005  Shelf Life
2005  Silent Hollywood: Cult, Stars, Scandals
2006  Jane Russell - Der Star aus dem Heu
2006  Jenseits von Hollywood – Das Kino des Otto Preminger
2009  Glanz und Elend in Hollywood: Natalie Wood
2010  Elke Sommer erzählt...
2010  Marilyn Monroe: I Want to Be Loved
2010  Mythos Metropolis
2010  Percy Adlon erzählt...
2011  Bernd Eichinger erzählt...
2016  Made in Hollywood: Hitchcocks Blondinen
2017  Carroll Baker: Vom Baby Doll zur Lady Glamour
2017  F. Scott Fitzgerald: Seine Sekretärin Frances Kroll Ring erzählt
2017  Harold Nebenzal erzählt...
2017  Juliet vs. Romeo
2017  Made in Hollywood: Die Welt des Raoul Walsh
2017  Made in Hollywood: The World of William Wellman
2018  Budd Boetticher on the Ranown Cycle

Sound:
1997  Hollywood Dreamers
1998  Internet Love
1998  Mythos Hollywood - Das Geheimnis des Erfolgs
2001  24/7 - Sunset Boulevard
2003  Sunset Motel
2004  Männer im Trenchcoat, Frauen im Pelz
2005  Shelf Life
2005  Silent Hollywood: Cult, Stars, Scandals
2006  Jane Russell - Der Star aus dem Heu
2006  Jenseits von Hollywood – Das Kino des Otto Preminger
2009  Glanz und Elend in Hollywood: Natalie Wood
2010  Elke Sommer erzählt...
2010  Marilyn Monroe: I Want to Be Loved
2010  Mythos Metropolis
2010  Percy Adlon erzählt...
2011  Bernd Eichinger erzählt...
2016  Made in Hollywood: Hitchcocks Blondinen
2017  Carroll Baker: Vom Baby Doll zur Lady Glamour
2017  F. Scott Fitzgerald: Seine Sekretärin Frances Kroll Ring erzählt
2017  Harold Nebenzal erzählt...
2017  Juliet vs. Romeo
2017  Made in Hollywood: Die Welt des Raoul Walsh
2017  Made in Hollywood: The World of William Wellman
2018  Budd Boetticher on the Ranown Cycle

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.