A work in constant progress (and occasional regress).
Born:
January 1, 1952
Alison Cross is a producer and writer for film and tv.
Co-Producer:
1989 Roe vs. Wade
Screenplay:
1985 The Hearst and Davies Affair
1989 Roe vs. Wade
1996 Blood and Wine
2013 Prosecuting Casey Anthony
Story:
1985 The Hearst and Davies Affair
1989 Roe vs. Wade
1996 Blood and Wine
2013 Prosecuting Casey Anthony
Teleplay:
1985 The Hearst and Davies Affair
1989 Roe vs. Wade
1993 With Hostile Intent
1996 Blood and Wine
2013 Prosecuting Casey Anthony
Writer:
1979 Anatomy of a Seduction
1985 The Hearst and Davies Affair
1989 Roe vs. Wade
1993 With Hostile Intent
1995 Serving in Silence: The Margarethe Cammermeyer Story
1996 Blood and Wine
2013 Prosecuting Casey Anthony
Co-Executive Producer:
2001 Philly
2005 Commander in Chief
Consulting Producer:
2001 Philly
2005 Commander in Chief
2008 Raising the Bar
2010 Rizzoli & Isles
Creator:
2001 Philly
2005 Commander in Chief
2008 Raising the Bar
2010 Rizzoli & Isles
Executive Producer:
2001 Philly
2005 Commander in Chief
2008 Raising the Bar
2010 Rizzoli & Isles
2017 The Good Fight
Story:
2001 Philly
2005 Commander in Chief
2008 Raising the Bar
2010 Rizzoli & Isles
2017 The Good Fight
Teleplay:
2001 Philly
2005 Commander in Chief
2008 Raising the Bar
2010 Rizzoli & Isles
2017 The Good Fight
Writer:
2001 Philly
2005 Commander in Chief
2008 Raising the Bar
2010 Rizzoli & Isles
2017 S.W.A.T.
2017 The Good Fight
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.