Hady Zaccak (b. 1974)

Alias:
هادي زكاك

Birthplace:
Beirut, Lebanon

Born:
March 22, 1974

Born March 22, 1974 in Beirut, Hady Zaccak studied at the IESAV film school (Institute of Scenic, Audiovisual and Cinematographic Studies/Saint-Joseph University/Beirut). He holds a diploma in audiovisual studies (1997) and a Masters in cinema studies/film directing option (2001). He participated in film directing, editing and production workshops at FEMIS (Paris-1996), INSAS (Brussels-1999) and HFF Konrad Wolf (Potsdam-2007).  Since 1997, he has written and directed more than 20 documentaries, which have been broadcast on several television channels in Lebanon, the Arab world and Europe and presented/awarded at several film festivals around the world. Four of his films “Ya Omri-104 rides”, “A History Lesson”, “Marcedes” and “Kamal Jumblatt, witness and martyr” were also screened in theaters in Beirut. Hady Zaccak uses documentary to bring history to life, record the present, preserve memory and film metamorphoses and stagnation.  After writing a book in French on the global history of Lebanese cinema "Lebanese cinema: itinerary of a cinema towards the unknown" (1929-1996)" (Dar-el-Machreq -1997-Beirut), he continues his explorations the history of cinema in Lebanon with two documentaries "Lebanon through cinema" and "War cinema in Lebanon" (2003). Over the years, he has filmed the constant metamorphosis of Beirut "Beirut…Points of view" (2000) and "Taxi Beirut" (2011)) while discovering other Arab capitals "Sindbad in Baghdad" (2003) and "Taxi Sana'a" (2012). He investigated for television on the place of religion and religious groups in the Middle East from Lebanon, in Egypt and Iran “The Neo Missionaries” (2004) – “The Copts” (2004) – “The Shiites” (2005)  He studied the Palestinian cause with “1000 and 1000 Nights” (1999) and “Refugees for Life” (2006) and then documented the 2006 war in Lebanon and its social and environmental repercussions with 4 films: “The War of peace” (2007) - “The oil spill in Lebanon” (2007) - “The Shiite echoes of Lebanon” (2007) and “Sunni echoes of Lebanon” (2008). “Honeymoon 58” (2013) and “Kamal Jumblatt, witness and martyr” (2015). In 2017, he presented “Ya Omri” (“104 wrinkles”) where he addressed the theme of memory through the portrait of his grandmother. After several years of research, HZ published a new book “The Last Film Screening” in 2021, exposing the social, political and cultural history of Tripoli through its cinemas. His following films received awards: “Ya Omri” (“104 wrinkles”), “Kamal Jumblatt, witness and martyr”, “Marcedes”, “A history lesson”, “The oil spill in Lebanon”, “1000 and 1000 Nights"  Alongside his work as a filmmaker, Zaccak has been a professor at IESAV-Saint Joseph University of Beirut since 1998. He teaches courses in film writing and directing, cinema history and film genres. He also gives workshops on documentary and cinematographic culture in several regions of the Arab world (Lebanon-Jordan-Oman-Egypt) and in Africa (ISMA, Benin). Hady Zaccak is also the founder of ZAC films.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.