Olivier Toussaint (b. 1943)

Gallery Unavailable

Birthplace:
Paris, France

Born:
January 1, 1943

Olivier Toussaint is a French composer, pop singer, orchestra arranger, company manager, and record producer.  He was born in Paris, in a family of classical musicians. His great-grandfather, Gilbert Duprez was a very well known opera singer. His grandparents were both opera singers, and his mother was a concert pianist who played in big orchestras in France.  At the insistence of his mother, he studied economics and social sciences at University in Paris. But as soon as he graduated, he was back making music. He worked professionally as a singer and musician, playing guitar. At the same time he was involved in writing music for television and the cinema.  Classical music was a part of his life due to his family background, but it did not fit to his musical expectations. Other than classical music, he was very interested in jazz, easy listening, semi-classical, and pop music.  He started a partnership with the French composer, Paul de Senneville in 1968. Soon after, they started to compose many songs together. Their collaboration got well known immediately, and their compositions were recorded by major French singers such as Michel Polnareff, Christophe, Dalida, Petula Clark, Claude François and Mireille Mathieu. They internationally sold more than 100 million records.  Olivier Toussaint and Paul de Senneville also got involved in music production business and started up the group "Pop Concerto Orchestra". In this group, Toussaint was a lead singer. Then they launched a second rock and roll group "Anarchic System". Over a period of 5 years, both of the groups sold several millions of records.  1975 was the major breakthrough for both Paul de Senneville and Olivier Toussaint with the triumph of "Dolannes Melodie" which launched the trumpet player Jean-Claude Borelly. They collaborated with the French composer/arranger Gérard Salesses, in arranging many of titles for Jean-Claude Borelly.  In 1976, Paul de Senneville and Olivier Tousaint set up their own record label, Delphine (named after de Senneville's first daughter). Delphine is one of the leading French music exporters to the world market. Soon after in 1976, they discovered Richard Clayderman, and established him as the top French record seller worldwide more than 65 million LPs sold. "Ballade pour Adeline", composed by Paul de Senneville and Olivier Tousaint, was the first song recorded by Richard Clayderman at Delphine studio, and it sold over 22 million singles in 38 countries through the years 1977 to 1979.  In 1977 the synthesizer project By the Savers (Olivier Toussaint together with French musicians Roland Romanelli and Jean Baudlot) released one single Help Me across Europe which didn't chart anywhere.  The year 1978 was Olivier Toussaint's big success, attending in Monégasque entry in the Eurovision Song Contest 1978, and performing the duet "Les jardins de Monaco" ("The Gardens of Monaco") with the female singer "Caline" (pseudonym of Corinne Sauvage). It was succeeded as Monegasque representative at the 1979 Contest by Laurent Vaguener (pseudonym of Jean Baudlot) with "Notre Vie C'Est La Musique". ...  Source: Article "Olivier Toussaint" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Compositor:
1981  Cinq-Mars

Music:
1974  Celestine
1974  Convoy of Women
1974  No Pockets in a Shroud
1981  Cinq-Mars

Original Music Composer:
1974  Celestine
1974  Convoy of Women
1974  No Pockets in a Shroud
1981  Cinq-Mars
1984  Irreconcilable Differences

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.