A work in constant progress (and occasional regress).
Birthplace:
Manchester, England
Helen Lyons-Curran is a multi-award winning Filmmaker from the UK. Helen's appreciation of film developed at an early age with a near obsession for films such as Carole Reed’s Oliver! (1968), Rocky (1976), and Back to the Future (1985). Over the past several years Helen has developed her skills working in various areas of production. She earned her First Class BA Honours in Film and TV Production at The Manchester Film School, where she trained in single camera drama. Here, she produced multiple short films including the award winning student drama It’s a Metaphor (2013), as well as Got to Let Go (2013), the official music video for Britain’s Got Talent winner Jai McDowall. As an indie director Helen consistently delivers work of high production value, strong performances, and gripping plots. DELICACY, Helen's Macabre WWII short won the 2014 ROYAL TELEVISION SOCIETY North West's Best Student Drama and Best Cinematography at The US HOLLYWOOD INTERNATIONAL Film Festival 2015. It then went on to tour the UK & US festival circuit, achieving five more awards, and nine nominations; being recognised for direction, performance, art & design, and cinematography. Helen is nearing completion on ENDS MEAT, a multi-genre film set for a summer 2017 release. The film encompasses Brit-Grit, Horror-Noir, and black comedy, and tells the tale of a taxi driver with a wicked secret.
Boom Operator:
2019 Choke
Colorist:
2019 Choke
Dialogue Editor:
2019 Choke
Director:
2013 Gone
2014 Delicacy
2019 Choke
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Editor:
2013 Gone
2014 Delicacy
2019 Choke
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Producer:
2013 Gone
2014 Delicacy
2019 Choke
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Sound Recordist:
2013 Gone
2014 Delicacy
2019 Choke
???? Dad
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Writer:
2013 Gone
2014 Delicacy
2019 Choke
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.