Mark Bennington (b. 1969)

Born:
August 20, 1969

Mark Bennington is an internationally known photographer and best known as an actor for his work on: Star Trek: Voyager, NYPD Blue, Charmed and more recently in the films- Parmanu: The Story of Pokhran, Detective Byomkesh Bakshy!, and upcoming Kesari.  As an actor, Mark trained with Mike Nichols, Paul Sills & George Morrison at the New Actors Workshop in Manhattan. After graduating, he worked for 2 years with Diane Paulus & Randy Weiner's experimental theater ensemble 'Project 400' and later landed his first big theater gig in the Royal National Theatre's production of "An Enemy of the People" directed by Trevor Nunn, starring Sir Ian McKellen. He worked as an actor in regional theater for years before picking up the camera.  As a photographer, Mark's work has been published in The Atlantic, The Huffington Post, UpWorthy, CNN, Photo District News, GQ India, Verve Magazine, Man's World Magazine, Asian Photography, Worth Magazine, The Los Angeles Times, The LA Weekly, The Wall Street Journal, Platform Magazine, Forbes Magazine, The Times of India, The Virginia Quarterly Review, The Boston Globe, Lucky Magazine, Self Magazine, BuzzFeed and many more. Mark authored of the acclaimed photography book "Living the Dream: The Life of the 'Bollywood' Actor (HarperCollins, 2017) and is an adjunct professor of photography at The S.I. Newhouse School of Media and Communication at Syracuse University. His work has been exhibited in Rome, Tokyo, New York City, San Fransisco, Berlin and London.  As a drummer, Mark played over 400 shows and recorded 3 albums with the legendary LA roots/rock band '50cent Haircut' (Knitting Factory Records).  Based in Mumbai, he married cultural anthropologist Taapsi Ramchandani on December 21, 2013.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.