A work in constant progress (and occasional regress).
Born:
December 7, 1988
Editor:
2011 Estruendo
2013 Superficies
Post Producer:
2011 Estruendo
2013 Superficies
2016 El Cheque: La Película
Post Production Coordinator:
2011 Estruendo
2013 Superficies
2015 Incident Light
2016 El Cheque: La Película
Post Production Supervisor:
2011 Estruendo
2013 Superficies
2014 Partners By Accident
2015 Incident Light
2016 Bromance
2016 El Cheque: La Película
2018 The Snatch Thief
Visual Effects:
2011 Estruendo
2011 Uno
2013 Superficies
2014 Partners By Accident
2015 Incident Light
2016 Bromance
2016 El Cheque: La Película
2016 I'm Gilda
2017 Corralón
2018 The Snatch Thief
2019 Playback
Visual Effects Coordinator:
2011 Estruendo
2011 Uno
2013 Superficies
2014 Partners By Accident
2015 Incident Light
2016 Bromance
2016 El Cheque: La Película
2016 I'm Gilda
2017 Corralón
2018 El Angel
2018 The Snatch Thief
2019 Playback
Visual Effects Producer:
2011 Estruendo
2011 Uno
2013 Superficies
2014 Partners By Accident
2015 Incident Light
2016 Bromance
2016 El Cheque: La Película
2016 I'm Gilda
2017 Corralón
2018 El Angel
2018 The Snatch Thief
2019 Playback
2022 Today We Fix the World
Visual Effects Production Manager:
2011 Estruendo
2011 Uno
2013 Superficies
2014 Partners By Accident
2015 Incident Light
2016 Bromance
2016 El Cheque: La Película
2016 I'm Gilda
2017 Corralón
2018 El Angel
2018 The Snatch Thief
2019 Heroic Losers
2019 Playback
2022 Today We Fix the World
Visual Effects Supervisor:
2011 Estruendo
2011 Uno
2013 Superficies
2014 Partners By Accident
2015 Incident Light
2016 Bromance
2016 El Cheque: La Película
2016 I'm Gilda
2017 Corralón
2017 Hunting Season
2017 Those Who Love, Hate
2018 El Angel
2018 The Snatch Thief
2019 Heroic Losers
2019 Playback
2020 Two/One
2022 Lina from Lima
2022 Today We Fix the World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.