A work in constant progress (and occasional regress).
Alias:
Edith Carlson
Birthplace:
Tacoma, Washington, USA
Born:
April 26, 1896
Died:
November 29, 1980
From Wikipedia, the free encyclopedia Edith Evanson (née Carlson; April 29, 1896 – November 29, 1980) was an American actress of film, character and television during the Golden Age of Hollywood. She was born in Tacoma, Washington, where her father was a Protestant church clergyman (a religion to which she adhered throughout her life). Her first job was as a court reporter in Bellingham. On March 15, 1923, she married Morris Otto Evanson (1893-1975). The couple had no children Her first film role came in The Man Who Wouldn't Talk (1940) in an uncredited role. In the 1940s she was in supporting roles mostly as a maid, a busybody, landladies, or middle-aged secretaries. Some of her other film roles include parts in Citizen Kane (1941), Blossoms in the Dust (1941), Woman of the Year (1942), Reunion in France (1942), The Strange Woman (1947), I Remember Mama (1948), Rope (1948), The Damned Don't Cry (1950), The Day the Earth Stood Still (1951) and Disney's Toby Tyler (1960). During her time in Hollywood, she co-starred opposite some of its greatest legends, including Greer Garson, Walter Pidgeon, Orson Welles, Joan Crawford, Michael Rennie, Glenn Ford, Patricia Neal, James Stewart, Irene Dunne, Spencer Tracy, Katharine Hepburn, and Hedy Lamarr. With the coming of television in the late 1940s she expanded in her career appearing on such shows as You Are There, The Loretta Young Show, Chevron Hall of Stars, Jane Wyman Presents The Fireside Theatre, The Millionaire, Zane Grey Theater, Alfred Hitchcock Presents, The Frank Sinatra Show, Bachelor Father, Alcoa Presents: One Step Beyond, and Lassie. Following her retirement, she lived in Riverside, California, until her death from heart failure on November 29, 1980. Her ashes were scattered into the Pacific Ocean.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.