Constance Collier (1878-1955)

Alias:
David L'Estrange
Laura Constance Hardie

Birthplace:
Windsor, Berkshire, England, UK

Born:
January 22, 1878

Died:
April 25, 1955

Constance Collier (born Laura Constance Hardie; 22 January 1878 – 25 April 1955) was an English stage and film actress and acting coach. She made her stage debut at the age of three, when she played Fairy Peaseblossom in A Midsummer Night's Dream and later appeared in several Shakespearean stage plays. Her brief visit to New York in the 1910s yielded her work in a few silent films. When she was diagnosed with diabetes, she became the first ever patient in Europe to receive insulin treatment following its recent discovery. She served as an acting coach for many silent film stars in 1920s Hollywood following the tumultuous change to "talkies". While her most famous pupil was arguably Colleen Moore, her most acclaimed lifelong friend was fellow Stage Door co-star, Katharine Hepburn. Collier has a star on the Hollywood Walk of Fame.

Additional information:

The Search Form


Adaptation:
1935  Peter Ibbetson

Dialogue Coach:
1935  Peter Ibbetson
1945  Kitty
1947  The Ghost and Mrs. Muir

Original Story:
1927  Downhill
1935  Peter Ibbetson
1945  Kitty
1947  The Ghost and Mrs. Muir

Scenario Writer:
1921  Forever
1927  Downhill
1935  Peter Ibbetson
1945  Kitty
1947  The Ghost and Mrs. Muir

Theatre Play:
1921  Forever
1927  Downhill
1929  The Return of the Rat
1935  Peter Ibbetson
1937  The Rat
1945  Kitty
1947  The Ghost and Mrs. Muir

Vocal Coach:
1921  Forever
1927  Downhill
1929  The Return of the Rat
1929  The Taming of the Shrew
1935  Peter Ibbetson
1937  The Rat
1945  Kitty
1947  The Ghost and Mrs. Muir

Writer:
1921  Forever
1925  The Rat
1927  Downhill
1929  The Return of the Rat
1929  The Taming of the Shrew
1935  Peter Ibbetson
1937  The Rat
1945  Kitty
1947  The Ghost and Mrs. Muir

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.