Lucile Hadzihalilovic (b. 1961)

Alias:
Lucile Hadžihalilović

Birthplace:
Lyon, France

Born:
May 7, 1961

Lucile Emina Hadžihalilović is a French writer and director associated with the “New French Extremity” movement. She work for several years as an editor, often collaborating with director Gaspar Noé, who is her husband. In 2004 she became the first woman to win the Stockholm International Film Festival’s annual Bronze Horse award for best film.

Additional information:

The Search Form


Director:
1997  Jean-Pierre's Mouth
1998  Good Boys Use Condoms
2005  Innocence
2014  Nectar
2015  Limbo Visions 1
2016  Evolution
2018  Nature
2022  Earwig
????  La Première Mort de Nono
????  The Ice Tower

Editor:
1991  Carne
1997  Jean-Pierre's Mouth
1997  Marquis de Slime
1998  Good Boys Use Condoms
1998  I Stand Alone
2005  Innocence
2014  Nectar
2015  Limbo Visions 1
2016  Evolution
2018  Nature
2020  Saint Laurent - Summer of ‘21
2022  Earwig
????  La Première Mort de Nono
????  The Ice Tower

Producer:
1991  Carne
1997  Jean-Pierre's Mouth
1997  Marquis de Slime
1998  Good Boys Use Condoms
1998  I Stand Alone
2005  Innocence
2014  Nectar
2015  Limbo Visions 1
2016  Evolution
2018  Nature
2019  Lux Æterna
2020  Saint Laurent - Summer of ‘21
2022  Earwig
????  La Première Mort de Nono
????  The Ice Tower

Screenplay:
1991  Carne
1997  Jean-Pierre's Mouth
1997  Marquis de Slime
1998  Good Boys Use Condoms
1998  I Stand Alone
2005  Innocence
2014  Nectar
2015  Limbo Visions 1
2016  Evolution
2018  Nature
2019  Lux Æterna
2020  Saint Laurent - Summer of ‘21
2022  Earwig
????  La Première Mort de Nono
????  The Ice Tower
????  The Youngest Daughter

Writer:
1991  Carne
1997  Jean-Pierre's Mouth
1997  Marquis de Slime
1998  Good Boys Use Condoms
1998  I Stand Alone
2005  Innocence
2014  Nectar
2015  Limbo Visions 1
2016  Evolution
2018  Nature
2019  Lux Æterna
2020  Saint Laurent - Summer of ‘21
2022  Earwig
????  La Première Mort de Nono
????  The Ice Tower
????  The Youngest Daughter

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.