Bernardino Fronzetti

Gallery Unavailable

Alias:
Dino Fronzetti

Additional information:

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Sound:
1963  Samson and the Slave Queen
1964  I due toreri
1964  The Maniacs
1965  Giant of the Evil Island
1966  Django
1966  Johnny Yuma
1966  Ringo, the Mark of Vengeance
1966  Z7 Operation Rembrandt
1967  Io non protesto, io amo
1967  The Crazy Westerners
1968  Django, Prepare a Coffin
1968  Theorem
1971  Blindman
1972  Decameron II
1972  The Other Canterbury Tales
1972  Who Saw Her Die?
1976  Keoma
1977  California

Sound Engineer:
1963  Samson and the Slave Queen
1964  I due toreri
1964  The Maniacs
1965  Giant of the Evil Island
1965  Nightmare Castle
1965  Operation Atlantis
1966  Django
1966  Johnny Yuma
1966  Ringo, the Mark of Vengeance
1966  Z7 Operation Rembrandt
1967  Io non protesto, io amo
1967  The Crazy Westerners
1968  Django, Prepare a Coffin
1968  Theorem
1970  Tristana
1971  Blindman
1972  Decameron II
1972  The Other Canterbury Tales
1972  Who Saw Her Die?
1976  Keoma
1977  California

Sound Mixer:
1963  Samson and the Slave Queen
1964  I due toreri
1964  The Maniacs
1965  Giant of the Evil Island
1965  Nightmare Castle
1965  Operation Atlantis
1966  Django
1966  Johnny Yuma
1966  Ringo, the Mark of Vengeance
1966  Z7 Operation Rembrandt
1967  Io non protesto, io amo
1967  The Crazy Westerners
1968  Django, Prepare a Coffin
1968  Theorem
1970  Tristana
1971  Blindman
1972  Decameron II
1972  The Other Canterbury Tales
1972  Who Saw Her Die?
1976  Keoma
1977  California

Sound Recordist:
1959  Venetian Honeymoon
1963  Samson and the Slave Queen
1964  I due toreri
1964  The Maniacs
1965  Giant of the Evil Island
1965  Nightmare Castle
1965  Operation Atlantis
1966  Django
1966  Johnny Yuma
1966  Ringo, the Mark of Vengeance
1966  The Murder Clinic
1966  Z7 Operation Rembrandt
1967  Io non protesto, io amo
1967  The Crazy Westerners
1968  Django, Prepare a Coffin
1968  Theorem
1970  Tristana
1971  Blindman
1972  Decameron II
1972  The Other Canterbury Tales
1972  Who Saw Her Die?
1976  Keoma
1977  California
1978  Damned in Venice

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.