A work in constant progress (and occasional regress).
Associate Producer:
2019 M8 - When Death Rescues Life
Executive Producer:
1999 Betrayal
2004 Redeemer
2007 The Man Who Challenged the Devil
2008 Last Stop 174
2011 Qualquer Gato Vira-Lata
2011 Trap.com
2019 M8 - When Death Rescues Life
2021 O Auto da Boa Mentira
Producer:
1999 Betrayal
2003 Casseta & Planeta: A Taça do Mundo é Nossa!
2004 Redeemer
2007 The Man Who Challenged the Devil
2008 Last Stop 174
2011 Qualquer Gato Vira-Lata
2011 Trap.com
2014 Tim Maia
2017 João, o Maestro
2019 M8 - When Death Rescues Life
2021 O Auto da Boa Mentira
2023 La Situación
Production Assistant:
1982 The Dream's Not Over
1999 Betrayal
2003 Casseta & Planeta: A Taça do Mundo é Nossa!
2004 Redeemer
2007 The Man Who Challenged the Devil
2008 Last Stop 174
2011 Qualquer Gato Vira-Lata
2011 Trap.com
2014 Tim Maia
2017 João, o Maestro
2019 M8 - When Death Rescues Life
2021 O Auto da Boa Mentira
2023 La Situación
Production Manager:
1982 The Dream's Not Over
1987 Urubus e Papagaios
1999 Betrayal
2003 Casseta & Planeta: A Taça do Mundo é Nossa!
2004 Redeemer
2007 The Man Who Challenged the Devil
2008 Last Stop 174
2011 Qualquer Gato Vira-Lata
2011 Trap.com
2014 Tim Maia
2017 João, o Maestro
2019 M8 - When Death Rescues Life
2021 O Auto da Boa Mentira
2023 La Situación
Unit Production Manager:
1982 The Dream's Not Over
1987 Urubus e Papagaios
1991 High Art
1999 Betrayal
2003 Casseta & Planeta: A Taça do Mundo é Nossa!
2004 Redeemer
2007 The Man Who Challenged the Devil
2008 Last Stop 174
2011 Qualquer Gato Vira-Lata
2011 Trap.com
2014 Tim Maia
2017 João, o Maestro
2019 M8 - When Death Rescues Life
2021 O Auto da Boa Mentira
2023 La Situación
Executive Producer:
2013 As Canalhas
2024 Amor da Minha Vida
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.