Rebecca Shoptaw

Rebecca Shoptaw is the writer, director, cinematographer and editor behind a number of award-winning short films, along with the critically-acclaimed web series "Middlemarch: The Series."  Her work has been featured in The New Yorker, Le Monde, and i-D magazine, and screened at festivals internationally such as BFI Flare, NewFest, and the Pilot Light TV Festival. She has an abiding interest in adaptation, and is always experimenting, trying to figure out new ways to use cinematic language to take what seems untranslatable in writing and get it onscreen.  She is based in NYC.  [FROM REBECCASHOPTAW.COM]

Additional information:

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Cinematography:
2016  Sonnet 23

Director:
2016  Happy Endings
2016  Sonnet 23
2018  Untitled Tenderness Project
2019  Girl, Sweetvoiced
2024  MARGOT

Director of Photography:
2016  Happy Endings
2016  Sonnet 23
2018  Untitled Tenderness Project
2019  Girl, Sweetvoiced
2024  MARGOT

Editor:
2016  Happy Endings
2016  Sonnet 23
2018  Untitled Tenderness Project
2019  Girl, Sweetvoiced
2024  MARGOT

Producer:
2016  Happy Endings
2016  Sonnet 23
2018  Untitled Tenderness Project
2019  Girl, Sweetvoiced
2024  MARGOT

Writer:
2016  Happy Endings
2016  Sonnet 23
2018  Untitled Tenderness Project
2019  Girl, Sweetvoiced
2024  MARGOT

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.