A work in constant progress (and occasional regress).
Alias:
Joseph Plummer
Co-Executive Producer:
2019 The Infiltrators
Executive Producer:
2019 Colewell
2019 The Infiltrators
2019 Where's My Roy Cohn?
2020 Athlete A
2020 Feels Good Man
2020 Socks on Fire
2021 Cusp
2021 The Blazing World
2022 Aisha
2022 Art & Krimes by Krimes
2022 Bitterbrush
2022 Chop & Steele
2022 Marian Anderson: The Whole World in Her Hands
2022 The Cave of Adullam
2022 You and Me This summer
2023 Story & Pictures By
2023 The Last Year of Darkness
2024 Mabel
2025 Coexistence, My Ass!
2025 On Swift Horses
???? The Empire of Ebony
Producer:
2019 Colewell
2019 Maybe Next Year
2019 The Infiltrators
2019 Where's My Roy Cohn?
2020 Athlete A
2020 Farewell Amor
2020 Feels Good Man
2020 Socks on Fire
2021 Cusp
2021 The Blazing World
2022 Aisha
2022 Art & Krimes by Krimes
2022 Bitterbrush
2022 Chop & Steele
2022 Marian Anderson: The Whole World in Her Hands
2022 The Cave of Adullam
2022 You and Me This summer
2023 Story & Pictures By
2023 The Last Year of Darkness
2024 Mabel
2025 Coexistence, My Ass!
2025 On Swift Horses
2025 Thank You Very Much
???? The Empire of Ebony
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.