A work in constant progress (and occasional regress).
Birthplace:
Ottawa, Ontario, Canada
Born:
December 6, 1970
Assistant Makeup Artist:
2004 The Day After Tomorrow
2007 300
2019 Long Shot
Key Makeup Artist:
2004 The Day After Tomorrow
2007 300
2008 Bianca Beauchamp All Access 2: Rubberized
2019 Long Shot
Makeup Artist:
2001 The Hidden Fortress
2002 Swindle
2004 Head in the Clouds
2004 The Day After Tomorrow
2007 300
2008 Bianca Beauchamp All Access 2: Rubberized
2013 Riddick
2015 Elephant Song
2016 It's Only the End of the World
2016 X-Men: Apocalypse
2017 mother!
2019 Long Shot
2021 The United States vs. Billie Holiday
Makeup Department Head:
2001 The Hidden Fortress
2002 Swindle
2004 Head in the Clouds
2004 The Day After Tomorrow
2007 300
2008 Bianca Beauchamp All Access 2: Rubberized
2013 Riddick
2015 Elephant Song
2016 It's Only the End of the World
2016 X-Men: Apocalypse
2017 mother!
2019 Long Shot
2021 Single All the Way
2021 The United States vs. Billie Holiday
2023 Testament
Production Assistant:
2001 The Hidden Fortress
2002 Swindle
2004 Head in the Clouds
2004 The Day After Tomorrow
2007 300
2008 Bianca Beauchamp All Access 2: Rubberized
2008 Madwoman of God
2013 Riddick
2015 Elephant Song
2016 It's Only the End of the World
2016 X-Men: Apocalypse
2017 mother!
2019 Long Shot
2021 Single All the Way
2021 The United States vs. Billie Holiday
2023 Testament
Assistant Makeup Artist:
2006 10.5: Apocalypse
Makeup Artist:
2006 10.5: Apocalypse
2014 Ascension
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.