Ceylan Özgün Özçelik

Gallery Unavailable

Birthplace:
Turkey

Born in 1980, in Turkey. Özçelik studied law at the Marmara University in Istanbul, but never practiced.  After working as a text writer in TV channels and as a DJ in a radio station, started to produce, write and host a TV show on cinema called “En Heyecanlı Yeri”, which was aired for almost ten years. Add to that she produced and wrote four other culture-art TV programmes.  For fourteen years, she had written film reviews for online and print media. A book of interviews and media memoirs called "Dikkat Çekim Var!” written by her, published in 2013.  In between 2005-2011, she edited behind the scenes, cinema award videos, production company trailers and documentaries. Her short films have screened at various festivals including Bratislava Art and Festroia.  Her feature film debut KAYGI/INFLAME, a thriller about memory and mass media, has made its world premiere at the 67. Berlinale Panorama and won Luna Gamechanger Award at South by Southwest (SXSW) where the film had its North American premiere. Inflame has screened more than 30 other festivals worldwide.  Özçelik is currently developing her second feature 18+, which is a dark comedy about women and violence for quite some time now. 18+ was among the projects of Meetings On The Bridge and won the Visual Effects Award in 2017. Özçelik is an artist-in-residence for 2018 at Medienboard Berlin-Brandenburg.

Additional information:

The Search Form


Co-Producer:
2017  Inflame

Director:
2011  By Any Means Necessary
2017  Inflame
2019  Witch Trilogy 13+
2020  Ankebût
2022  Witch Trilogy 15+
????  10 Seconds

Writer:
2011  By Any Means Necessary
2017  Inflame
2019  Witch Trilogy 13+
2020  Ankebût
2022  Witch Trilogy 15+
????  10 Seconds

Creator:
2017  7 Faces

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.