Simon Arnal (b. 1968)

Alias:
Simon Arnal Szlovak
Simon Arnal-Szlovak
Simone Arnal-Szlovaki

Born:
December 31, 1968

Simon Arnal is known for The Class (2008), The Lobster (2015) and Coco Before Chanel (2009).

Additional information:

The Search Form


Associate Producer:
1998  The Book of Life
1999  The Hole
2001  The Pornographer
2001  Time Out
2008  Sonetàula
2011  The Woman in the Fifth
2015  Journey Through China
2015  Sanctuary
2015  The Lobster
2018  The Night Eats the World
2020  Entretien politique : Histoire et mode d'emploi

Co-Producer:
1998  The Book of Life
1999  The Hole
2001  The Pornographer
2001  Time Out
2003  Kiss of Life
2004  The Grand Sons
2008  Sonetàula
2011  The Woman in the Fifth
2015  Journey Through China
2015  Sanctuary
2015  The Lobster
2018  The Night Eats the World
2020  Entretien politique : Histoire et mode d'emploi

Executive Producer:
1998  The Book of Life
1999  New Dawn
1999  The Hole
2001  The Pornographer
2001  Time Out
2003  Kiss of Life
2004  The Grand Sons
2008  Sonetàula
2011  The Woman in the Fifth
2015  Journey Through China
2015  Sanctuary
2015  The Lobster
2018  The Night Eats the World
2020  Entretien politique : Histoire et mode d'emploi

Producer:
1996  Sworn Oath
1997  Majorettes in Space
1998  Something Organic
1998  The Book of Life
1999  New Dawn
1999  The Hole
2001  The Pornographer
2001  Time Out
2003  Kiss of Life
2003  Tiresia
2004  The Grand Sons
2006  Heading South
2008  Sonetàula
2008  The Class
2009  Coco Before Chanel
2010  Black Heaven
2011  The Woman in the Fifth
2013  Back in Crime
2013  Foxfire
2015  Journey Through China
2015  Sanctuary
2015  The Lobster
2016  150 Milligrams
2018  The Night Eats the World
2019  A Bigger World
2019  Only the Animals
2020  Entretien politique : Histoire et mode d'emploi

Executive Producer:
2016  The Young Pope
2024  Constellation
2024  Monsieur Spade

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.