Filipa César

Birthplace:
Porto, Portugal

Filipa César is an artist and filmmaker interested in the porous boundaries between the moving image and its reception, the fictional dimensions of the documentary and the economies, politics and poetics inherent to cinema praxis. Since 2011, César has been researching the origins of cinema in Guinea-Bissau, developing that research into the collective project Luta ca caba inda (The struggle is not over yet). She was a participant of the research projects Living Archive and Visionary Archive, both organised by the Arsenal - Institute for Film and Video Art, Berlin. Her last film MANGROVE SCHOOL (2022), co-directed with Sónia Vaz Borges, was selected at Cinéma du Réel.

Additional information:

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Co-Writer:
2018  Sunstone

Director:
2007  Rapport
2010  Insert
2010  Porto, 1975
2011  The Embassy
2012  Cacheu
2012  Conakry
2014  Mined Soil
2014  Regulado
2015  Transmission from the Liberated Zones
2016  Navigating the Pilot School
2017  Spell Reel
2018  Sunstone
2020  Quantum Creole
2022  Mangrove School
2024  Resonance Spiral

Director of Photography:
2007  Rapport
2010  Insert
2010  Porto, 1975
2011  The Embassy
2012  Cacheu
2012  Conakry
2014  Mined Soil
2014  Regulado
2015  Transmission from the Liberated Zones
2016  Navigating the Pilot School
2017  Spell Reel
2018  Sunstone
2020  Quantum Creole
2022  Mangrove School
2024  Resonance Spiral

Editor:
2007  Rapport
2010  Insert
2010  Porto, 1975
2011  The Embassy
2012  Cacheu
2012  Conakry
2014  Mined Soil
2014  Regulado
2015  Transmission from the Liberated Zones
2016  Navigating the Pilot School
2017  Spell Reel
2018  Sunstone
2020  Quantum Creole
2022  Mangrove School
2024  Resonance Spiral

Producer:
2007  Rapport
2010  Insert
2010  Porto, 1975
2011  The Embassy
2012  Cacheu
2012  Conakry
2014  Mined Soil
2014  Regulado
2015  Transmission from the Liberated Zones
2016  Navigating the Pilot School
2017  Spell Reel
2018  Sunstone
2020  Quantum Creole
2022  Mangrove School
2024  Resonance Spiral

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.