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Migue Siman (b. 1993)

Birthplace:
San Salvador, El Salvador

Born:
July 8, 1993

Biography from TheMovieDB

Migue Siman is a director, writer and producer from El Salvador. Known for crafting powerful stories with striking visuals, his work fuses the immersive depth of cinema with the dynamic energy of theater.  Since founding his production company, Black Coyote, in 2016, Migue has delivered critically acclaimed productions known for their dynamic movement, intricate design, and deeply moving performances.  Critics have described Migue's work as 'disruptive and daring,' praising his ability to transform unconventional spaces into immersive stages that open new opportunities for Salvadoran theater. Collaborating with both seasoned and emerging Salvadoran artists, he has been instrumental in creating productions that blend local talent with universal narratives.  Migue has directed over 20 productions across film, television, and theatre, spanning diverse genres. Notable stage productions include 'Let The Right One In' (by Jack Thorne), 'The War of the Worlds' (by Joe Landry), 'Witness for the Prosecution' (by Agatha Christie), 'Lend me A Tenor' (by Ken Ludwig), 'Frankenstein', 'Wendy & Peter Pan', the musical 'Urinetown', and 'El 'Último Inventor'.

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Additional information:

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Film Performances

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Film Production

Adaptation:
2020  Guerra de los Mundos En Vivo

Director:
2014  The Time Capsule
2017  Matlatl
2020  Guerra de los Mundos En Vivo

Editor:
2014  The Time Capsule
2017  Matlatl
2020  Guerra de los Mundos En Vivo

Producer:
2014  The Time Capsule
2017  Matlatl
2020  Guerra de los Mundos En Vivo

Writer:
2014  The Time Capsule
2017  Matlatl
2020  Guerra de los Mundos En Vivo

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.