Sophie Farkas Bolla

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Alias:
Sophie Farkas-Bolla

Birthplace:
Montreal, Quebec, Canada

Sophie Farkas Bolla is a Canadian film editor based in Montreal, Quebec.

Additional information:

The Search Form


Assistant Editor:
2012  The Factory

Director:
2012  The Factory
2015  When Monsters Were Real
2023  Adventures in the Land of Asha

Editor:
2008  Antoine
2012  The Factory
2015  Amazing Grace
2015  Fragments
2015  When Monsters Were Real
2016  Angry Inuk
2016  Letters to the Prime Minister
2016  Wild Skin
2017  La respiration de l'abeille
2019  Pôle Sud
2019  Roads in February
2020  Stateless
2020  The Internet of Everything
2021  Beans
2021  Miette
2021  On My Way
2021  The Gig Is Up
2021  The Music Lesson
2021  Trophy
2022  The Coyote
2023  Adventures in the Land of Asha
2024  Adrianne & The Castle

Screenplay:
2008  Antoine
2012  The Factory
2015  Amazing Grace
2015  Fragments
2015  When Monsters Were Real
2016  Angry Inuk
2016  Letters to the Prime Minister
2016  Wild Skin
2017  La respiration de l'abeille
2019  Pôle Sud
2019  Roads in February
2020  Stateless
2020  The Internet of Everything
2021  Beans
2021  Miette
2021  On My Way
2021  The Gig Is Up
2021  The Music Lesson
2021  Trophy
2022  The Coyote
2023  Adventures in the Land of Asha
2024  Adrianne & The Castle

Writer:
2008  Antoine
2012  The Factory
2015  Amazing Grace
2015  Fragments
2015  When Monsters Were Real
2016  Angry Inuk
2016  Letters to the Prime Minister
2016  Wild Skin
2017  La respiration de l'abeille
2019  Pôle Sud
2019  Roads in February
2020  Stateless
2020  The Internet of Everything
2021  Beans
2021  Miette
2021  On My Way
2021  The Gig Is Up
2021  The Music Lesson
2021  Trophy
2022  The Coyote
2023  Adventures in the Land of Asha
2024  Adrianne & The Castle

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.