Jeffrey W. Jenkins

Birthplace:
San Francisco, California, USA

Jeffrey Jenkins is SAG eligible Actor, he was born in San Francisco, and grew up in the small town of San Bruno; just a few miles south on the Peninsula. He started taking Tap dancing at age eight, which led to a continued study of Jazz, Swing, Waltz, and Social ballroom; and has been performing on stage ever since. After high school he was cast in thirteen local community theater productions, and he has studied Voice under Mildred Owen; he is a Bass/Baritone. He studied Acting with Bob Curtis at CaƱada College, Advance Acting with Professor Jo Tomlin and Barbara Damashek, and Advanced in Front of the Camera with Professor Rick Houlberg, at SFSU. He received his BA in Broadcasting Electronic Communication Arts; emphasis in Production and Animation; 2007. During his senior year he interned for the MythBusters on Discovery Channel as a PA, Researcher and Location Scout, and won best documentary for a short film titled, 'Living History,' that he directed and produced at SFSU; and a national AEGIS award. He started Acting seriously again in 2009, landing background roles in 'The Curious Case of Benjamin Button,"The Butler's In Love,' and five episodes on NBC's 'Trauma.' His first starring role was for Investigation Discovery Channel's 'I Almost Got Away with It;' episode: 203, 'Got a Dead Man's ID;' and he has been a co-star in three following episodes. He got his SAG eligibility working for Paul Thomas Anderson on 'The Master,' along side Joaquin Phoenix and Phillip Seymour Hoffman, which landed him a role and credit. He studies History and collects Vintage clothing which has helped him land many roles and parts. He continues to work in commercials and film: 'Moneyball,' 'Blue Jasmine,' and 'Steve Jobs;' and appreciates everyone that has helped him on this journey. Please see his IMDB and YouTube profiles for videos and images of his work.  - IMDb Mini Biography By: Jeffrey W. Jenkins

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.