James Everett

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Alias:
Electroheadz

Birthplace:
Swansea, Wales, UK

James Everett is a British composer, producer, and writer of scores and music for film and television. Before becoming a film composer, he wrote and produced EDM and commercial club music, and was one half of the Hard Trance act Electroheadz. He notably produced and co-wrote the 2006 Hit Dancing In The Dark performed by Jessy De Smet. He scored his first short Mr Happy in 2013. After a few years of scoring short films and ads, he was commissioned to compose the music of his first feature film in 2016, Bad Day For The Cut directed by Chris Baugh. He has since scored multiple projects including The Dig directed by Ryan and Andy Tohill, the documentary The Dakota Entrapment Tapes directed by Trevor Birney, the BBC drama Counsel, and the film Back Medicine directed by Colum Eastwood. Born in Swansea, Wales, he now lives in Northern Ireland.

Additional information:

The Search Form


Music:
2016  Unhappy Endings
2019  Counsel
2020  Miss & Missus
2023  The Magic Spade

Original Music Composer:
2016  Unhappy Endings
2017  Bad Day for the Cut
2019  Counsel
2020  Miss & Missus
2023  The Magic Spade

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.