Milon V. Parker

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Alias:
Milon Parker

Milon V. Parker is a talented and dynamic actress and filmmaker based in Chicago, Illinois. She embarked on her filmmaking journey in 2011 and has since established herself as a formidable force in the industry. As a proud lesbian, Milon brings a unique and authentic perspective to her work, creating films that resonate deeply with diverse audiences.  Milon's passion for storytelling and her commitment to representing underrepresented voices are evident in every project she undertakes. Her films often explore themes of love, identity, and social justice, reflecting her dedication to shedding light on the experiences of the LGBTQ+ community. Through her work, Milon aims to challenge societal norms and inspire meaningful conversations about acceptance and equality.  Over the years, Milon has written, directed, and produced a wide range of films, each showcasing her versatile talent and creative vision. Her work is characterized by its emotional depth, compelling narratives, and strong, relatable characters. She has a keen eye for detail and a knack for creating visually stunning and thought-provoking films.  Milon's films are widely available on various streaming platforms, allowing her to reach a global audience. Her ability to connect with viewers through powerful storytelling has earned her a dedicated fan base and critical acclaim. She has been praised for her authenticity, creativity, and unwavering commitment to her craft.

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Director:
2012  The Lies We Tell But the Secrets We Keep: Part 2
2014  The Lies We Tell But the Secrets We Keep: Part 3
2016  More Than Friends
2019  The Lies We Tell But the Secrets We Keep: Part 4
2021  The Lies We Tell But the Secrets We Keep: Sweet Revenge
2022  The Lies We Tell but the Secrets We Keep: The Last Lie
2023  Coming Out For Christmas

Executive Producer:
2011  The Lies We Tell But the Secrets We Keep: Part 1
2012  The Lies We Tell But the Secrets We Keep: Part 2
2014  The Lies We Tell But the Secrets We Keep: Part 3
2016  More Than Friends
2019  The Lies We Tell But the Secrets We Keep: Part 4
2021  The Lies We Tell But the Secrets We Keep: Sweet Revenge
2022  The Lies We Tell but the Secrets We Keep: The Last Lie
2023  Coming Out For Christmas

Producer:
2011  The Lies We Tell But the Secrets We Keep: Part 1
2012  The Lies We Tell But the Secrets We Keep: Part 2
2014  The Lies We Tell But the Secrets We Keep: Part 3
2016  More Than Friends
2019  The Lies We Tell But the Secrets We Keep: Part 4
2021  The Lies We Tell But the Secrets We Keep: Sweet Revenge
2022  The Lies We Tell but the Secrets We Keep: The Last Lie
2023  Coming Out For Christmas

Writer:
2011  The Lies We Tell But the Secrets We Keep: Part 1
2012  The Lies We Tell But the Secrets We Keep: Part 2
2014  The Lies We Tell But the Secrets We Keep: Part 3
2016  More Than Friends
2019  The Lies We Tell But the Secrets We Keep: Part 4
2021  The Lies We Tell But the Secrets We Keep: Sweet Revenge
2022  The Lies We Tell but the Secrets We Keep: The Last Lie
2023  Coming Out For Christmas

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.