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Paola Andrea Pérez

Alias:
Paola Andrea Pérez
Paola Pérez

Biography from TheMovieDB

Social Communicator - Journalist from Universidad del Valle graduated in 2009, with studies in Executive Field Production in the International Market at EICTV, Escuela Internacional de Cine y TV San Antonio de los Baños.Participant in the Talent Campus Buenos Aires, organized by the Universidad del Cine, the Berlinale Talent Campus, 15 BAFICI, SANFIC Produceras NET 2021, Puentes EAVE 2021 and CLAC - Aceleradora del Cine del Atlantico.  With more than fourteen years of experience, in her long experience she participated in several films as a producer as VIOLENCE by Jorge Forero, Berlinale 2015; short film WATER STEPS by César Acevedo, Semaine de la Critique – Cannes 2016 and LÁZARO by José Alejandro González, International Film Festival of Cali, 2019. She is a coproducer of JESÚS by Fernando Guzzoni, oficial competition in San Sebastian 2016; REFUGEE by Diego Lerman, Quinzaine des Réalisateurs – Cannes, 2014; and OPTION ZERO by Marcel Beltrán, IDFA, Luminous, 2020. And she is also executive producer of WE ARE THE HEAT by Jorge Navas, Warsaw International Film Festival 2018, and the comedy SUNDOWNERS by Pavan Moondy, Canada, 2016.  From her production company Inercia Películas, she is currently developing the feature film HORIZONTE (FDC, AIDE AUX CINEMA CNC, HBF, IBERMEDIA) by César Augusto Acevedo; INVISIBLE BORDER by Alejandro Álvarez Quijano (IDFA FORUM, Sorfond, Dok Leipzig markets), DE NIRO IS NOT MY DAD by Manuela Montoya; the fiction feature film DONDE COMIENZA EL RÍO (FDC, PREMIO DALE!, CALQ) by Juan Andrés Arango, EL DIARIO DE LAS OTRAS by Mariana Mosquera and the short film DELIRIO by Fernando Iriarte. She is a coproducer and producer respectively of the projects in distribution LOS ZULUAGAS italian documentary feature film by Flavia Montini, and the tv series TURBIA by Oscar Ruiz Navia, Carlos Moreno, William Vega, César Acevedo, Jorge Navas, Santiago Lozano.

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Film Production

Co-Producer:
2014  Refugiado
2016  Jesus
2021  Option Zero
2022  Los Zuluagas

Director:
2009  Poor Clown
2014  Refugiado
2016  Jesus
2021  Option Zero
2022  Los Zuluagas

Executive Producer:
2009  Poor Clown
2014  Refugiado
2016  Jesus
2018  We Are the Heat
2021  Option Zero
2022  Los Zuluagas

Line Producer:
2009  Poor Clown
2012  La playa DC
2012  The Towrope
2014  Refugiado
2016  Dark Beast
2016  Jesus
2018  We Are the Heat
2021  Memoria
2021  Option Zero
2022  Los Zuluagas

Producer:
2009  Poor Clown
2012  La playa DC
2012  The Towrope
2014  Refugiado
2015  Land and Shade
2015  Violence
2016  Dark Beast
2016  Jesus
2016  Water Steps
2018  We Are the Heat
2020  Lázaro
2021  Memoria
2021  Option Zero
2022  Los Zuluagas

Production Coordinator:
2009  Poor Clown
2012  La playa DC
2012  The Towrope
2014  Refugiado
2015  Land and Shade
2015  Violence
2016  Dark Beast
2016  Jesus
2016  Water Steps
2018  We Are the Heat
2020  Lázaro
2021  Memoria
2021  Option Zero
2022  Los Zuluagas

Production Director:
2009  Poor Clown
2012  La playa DC
2012  The Towrope
2014  Gente de bien
2014  Refugiado
2015  Land and Shade
2015  Violence
2016  Dark Beast
2016  Jesus
2016  Water Steps
2018  We Are the Heat
2020  Lázaro
2021  Memoria
2021  Option Zero
2022  Los Zuluagas

Production Manager:
2009  Poor Clown
2010  Crab Trap
2012  La playa DC
2012  The Towrope
2013  Solecito
2014  Gente de bien
2014  Los hongos
2014  Refugiado
2015  Delivery
2015  Land and Shade
2015  Violence
2016  Dark Beast
2016  Guilty Men
2016  Jesus
2016  Water Steps
2017  The Sacrifice
2018  We Are the Heat
2020  Lázaro
2021  Memoria
2021  Option Zero
2022  Los Zuluagas

Writer:
2009  Poor Clown
2010  Crab Trap
2012  La playa DC
2012  The Towrope
2013  Solecito
2014  Gente de bien
2014  Los hongos
2014  Refugiado
2015  Delivery
2015  Land and Shade
2015  Violence
2016  Dark Beast
2016  Guilty Men
2016  Jesus
2016  Water Steps
2017  The Sacrifice
2018  We Are the Heat
2020  Lázaro
2021  Memoria
2021  Option Zero
2022  Los Zuluagas

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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