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Maren Morris (b. 1990)

Alias:
Maren Larae Morris

Birthplace:
Nashville, Tennessee, USA

Born:
April 10, 1990

Biography from TheMovieDB

Maren Larae Morris is an American country music singer-songwriter, record producer, philanthropist, and author. Morris has released four studio albums: 'Hero' (2016), 'Girl' (2019), 'Humble Quest' (2022) and 'Dreamsicle' (2025), which spawned the hit singles: "80s Mercedes", "I Could Use a Love Song", "Rich", "Girl", "The Bones", "Circles Around This Town", and the Grammy Award winning song "My Church". She has collaborated with electronic music producers Zedd and Grey on the worldwide hit "The Middle", as well with Global pop icon Taylor Swift on the track "You All Over Me". She wrote and performed the songs "Kiss the Sky", and "Even When I'm Not" for the animated film "The Wild Robot" in 2024. The former received critical acclaim from music and film critics, earning Morris' nominations for a Golden Globe Award, a Critics' Choice Award, a Satellite Award, and numerous others film festivals.  Morris has won multiple accolades, including a Grammy Award, an American Music Award, three Billboard Music Awards, five Country Music Association Awards, five Academy of Country Music Awards, a GLAAD Media Award, a Hollywood Music In Media Awards, two Variety Hitmakers Awards. Rolling Stone rewarded her major-label debut album 'Hero' on their list of the 250 Greatest Albums of the 21st Century, Forbes included Morris on their '30 under 30' list, and Billboard ranked her among the Top Country Artists of the 2010s, and listed her as one of the 100 Greatest Country Artists of All-Time.

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Film Performances

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Film Production

Compositor:
2022  Humble Quest: In Rare Form

Creator:
2022  Humble Quest: In Rare Form

Music:
2022  Humble Quest: In Rare Form

Songs:
2022  Humble Quest: In Rare Form
2024  The Wild Robot

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.