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Sandy Ding

Alias:
Ding Xin
丁 昕

Birthplace:
Beijing, China

Biography from TheMovieDB

Sandy Ding is an experimental filmmaker from Beijing, China. He graduated from California Institute of the Arts Film and Video MFA in 2007, and now teaching in China Central Academy of Fine Arts. His films are distributed by Canyon Cinema and LIGHT CONE (France). Most of his films are focused on mysteries and the subconscious, using film material and digital techniques to escalate the screen. He also work on sound and experimental music. His work has been shown in festivals and private screenings inside and outside China.

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Additional information:

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Film Performances

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Film Production

Cinematography:
2011  Mote It Be

Director:
2006  The Moon
2006  The Radio Wave of Blood Beneath the Dirt Ice and Flowers
2007  Mancoon
2007  Water Spell
2011  Mote It Be
2012  Prisms
2014  Dream Enclosure
2016  Night Awake
2016  River in Castle
2017  The Cradle
2019  Hairstyle Colidascope

Editor:
2006  The Moon
2006  The Radio Wave of Blood Beneath the Dirt Ice and Flowers
2007  Mancoon
2007  Water Spell
2011  Mote It Be
2012  Prisms
2014  Dream Enclosure
2016  Night Awake
2016  River in Castle
2017  The Cradle
2019  Hairstyle Colidascope

Sound:
2006  The Moon
2006  The Radio Wave of Blood Beneath the Dirt Ice and Flowers
2007  Mancoon
2007  Water Spell
2011  Mote It Be
2012  Prisms
2014  Dream Enclosure
2016  Night Awake
2016  River in Castle
2017  The Cradle
2019  Hairstyle Colidascope

Writer:
2006  The Moon
2006  The Radio Wave of Blood Beneath the Dirt Ice and Flowers
2007  Mancoon
2007  Water Spell
2011  Mote It Be
2012  Prisms
2014  Dream Enclosure
2016  Night Awake
2016  River in Castle
2017  The Cradle
2019  Hairstyle Colidascope

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.