Paula Heredia (b. 1957)

Birthplace:
San Salvador, El Salvador

Born:
October 13, 1957

Paula Patricia Heredia Suarez is a filmmaker, writer and photographer born in El Salvador, based in New York City. She studied fine arts at the University of Costa Rica and filmmaking at NYU and has an Arts and Film degree from the State University of New York Empire State College.

Additional information:

The Search Form


Consulting Editor:
2011  Skydancer

Director:
1993  The Couple in the Cage
2001  The Paris Review...: Early Chapters
2007  La pájara Pinta
2011  Skydancer
2011  Slavery and the Law

Editor:
1993  Colorado Cowboy: The Bruce Ford Story
1993  The Couple in the Cage
1995  Unzipped
1998  Modulations
2001  The Paris Review...: Early Chapters
2007  Addiction
2007  Alive Day Memories: Home from Iraq
2007  La pájara Pinta
2011  Skydancer
2011  Slavery and the Law
2016  Banking on Bitcoin
2018  RX: Early Detection - A Cancer Journey with Sandra Lee
2020  Blood on the Wall
2022  The Picture Taker

Editorial Staff:
1993  Colorado Cowboy: The Bruce Ford Story
1993  The Couple in the Cage
1995  Unzipped
1998  Modulations
2001  The Paris Review...: Early Chapters
2007  Addiction
2007  Alive Day Memories: Home from Iraq
2007  La pájara Pinta
2008  Jacques d'Amboise in China: The Other Side of the World
2011  Skydancer
2011  Slavery and the Law
2016  Banking on Bitcoin
2018  RX: Early Detection - A Cancer Journey with Sandra Lee
2020  Blood on the Wall
2022  The Picture Taker

Writer:
1993  Colorado Cowboy: The Bruce Ford Story
1993  The Couple in the Cage
1995  Unzipped
1998  Modulations
2001  The Paris Review...: Early Chapters
2007  Addiction
2007  Alive Day Memories: Home from Iraq
2007  La pájara Pinta
2008  Jacques d'Amboise in China: The Other Side of the World
2011  Skydancer
2011  Slavery and the Law
2016  Banking on Bitcoin
2018  RX: Early Detection - A Cancer Journey with Sandra Lee
2020  Blood on the Wall
2022  The Picture Taker

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.