Luciano Muratori

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Boom Operator:
1972  The Canterbury Tales
1975  Blue Jeans
1975  Calling All Police Cars
1975  Return of Shanghai Joe
1979  Tesoromio
1980  The Persian Lamb Coat
1984  Summer Games
1986  Summer Night with Greek Profile, Almond Eyes and Scent of Basil
1988  Nosferatu in Venice

Sound:
1969  Diary of a Telephone Operator
1972  The Canterbury Tales
1975  Blue Jeans
1975  Calling All Police Cars
1975  Return of Shanghai Joe
1978  The Iron Commissioner
1979  Tesoromio
1979  Tigers in Lipstick
1980  The Persian Lamb Coat
1984  Summer Games
1986  Summer Night with Greek Profile, Almond Eyes and Scent of Basil
1988  L'uscita
1988  Nosferatu in Venice
1991  Vacanze di Natale '91
1993  Caccia alle mosche

Sound Engineer:
1969  Diary of a Telephone Operator
1972  The Canterbury Tales
1975  Blue Jeans
1975  Calling All Police Cars
1975  Return of Shanghai Joe
1976  La lozana andaluza
1978  The Iron Commissioner
1979  Tesoromio
1979  Tigers in Lipstick
1980  The Persian Lamb Coat
1984  Summer Games
1986  Summer Night with Greek Profile, Almond Eyes and Scent of Basil
1988  L'uscita
1988  Nosferatu in Venice
1990  Watch Out for Perestroika
1991  Vacanze di Natale '91
1993  Caccia alle mosche

Sound Recordist:
1969  Diary of a Telephone Operator
1972  The Canterbury Tales
1975  Blue Jeans
1975  Calling All Police Cars
1975  Return of Shanghai Joe
1976  La lozana andaluza
1978  The Iron Commissioner
1979  Tesoromio
1979  Tigers in Lipstick
1980  The Persian Lamb Coat
1981  The Tango of Jealousy
1984  Summer Games
1986  Summer Night with Greek Profile, Almond Eyes and Scent of Basil
1988  L'uscita
1988  Nosferatu in Venice
1990  Watch Out for Perestroika
1991  Vacanze di Natale '91
1993  Caccia alle mosche

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.