Cláudia Rita Oliveira

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Camera Operator:
2004  Autography

Director:
2004  Autography
2008  Candidíase
2017  Cruzeiro Seixas - The Letters of King Artur
2022  No canto rosa

Director of Photography:
2004  Autography
2008  Candidíase
2010  Poema Colagem - Homenagem a Mário Cesariny
2017  Cruzeiro Seixas - The Letters of King Artur
2022  No canto rosa

Editor:
2004  Autography
2005  A Batalha dos Três Reis
2005  Floripes
2007  Curso de Silêncio
2007  Memories
2008  Candidíase
2008  Dedicated To The One I Love
2008  Segunda-Feira
2008  Zarco
2010  José & Pilar
2010  Poema Colagem - Homenagem a Mário Cesariny
2013  A Herdade dos Defuntos
2013  Arriverdeci Macau
2014  Wool and Snow
2017  Cruzeiro Seixas - The Letters of King Artur
2017  Eusébio: Story of a Legend
2017  The Nothing Factory
2019  Lisbon Beat
2019  Until the Sun Dies
2021  Os Fotocines
2022  No canto rosa
2023  Cesária Évora
????  Retratação

Producer:
2004  Autography
2005  A Batalha dos Três Reis
2005  Floripes
2007  Curso de Silêncio
2007  Memories
2008  Candidíase
2008  Dedicated To The One I Love
2008  Segunda-Feira
2008  Zarco
2010  José & Pilar
2010  Poema Colagem - Homenagem a Mário Cesariny
2013  A Herdade dos Defuntos
2013  Arriverdeci Macau
2014  Wool and Snow
2017  Cruzeiro Seixas - The Letters of King Artur
2017  Eusébio: Story of a Legend
2017  The Nothing Factory
2019  Lisbon Beat
2019  Until the Sun Dies
2021  Os Fotocines
2022  No canto rosa
2023  Cesária Évora
????  Retratação

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.