A work in constant progress (and occasional regress).
Birthplace:
New Rochelle, New York, USA
Christopher Radcliff is a New York City based writer, director, and editor whose first feature film The Strange Ones (co-directed with Lauren Wolkstein) was released in 2018. His award-winning short films, including The Strange Ones (2011) and Jonathan's Chest (2014) have screened at festivals worldwide, including Sundance, SXSW, Clermont-Ferrand, and IFF Rotterdam. He received his MFA from Columbia University's Graduate Film Program.
Additional Editor:
2020 If We Say That We Are Friends
2020 Never Rarely Sometimes Always
Director:
2011 Boys On Film 7: Bad Romance
2011 The Strange Ones
2014 Jonathan's Chest
2018 The Strange Ones
2019 Lost Episode
2020 If We Say That We Are Friends
2020 Never Rarely Sometimes Always
Editor:
2011 Boys On Film 7: Bad Romance
2011 The Strange Ones
2014 Jonathan's Chest
2016 Collective: Unconscious
2016 Swallowed
2017 Easy Living
2018 Screwdriver
2018 The Strange Ones
2019 Lost Episode
2020 If We Say That We Are Friends
2020 Minor Premise
2020 Never Rarely Sometimes Always
2020 Premise
2023 Palm Trees and Power Lines
Story:
2011 Boys On Film 7: Bad Romance
2011 The Strange Ones
2014 Jonathan's Chest
2016 Collective: Unconscious
2016 Swallowed
2017 Easy Living
2018 Screwdriver
2018 The Strange Ones
2019 Lost Episode
2020 If We Say That We Are Friends
2020 Minor Premise
2020 Never Rarely Sometimes Always
2020 Premise
2023 Palm Trees and Power Lines
Writer:
2011 Boys On Film 7: Bad Romance
2011 The Strange Ones
2014 Jonathan's Chest
2016 Collective: Unconscious
2016 Swallowed
2017 Easy Living
2018 Screwdriver
2018 The Strange Ones
2019 Lost Episode
2020 If We Say That We Are Friends
2020 Minor Premise
2020 Never Rarely Sometimes Always
2020 Premise
2023 Palm Trees and Power Lines
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.