A work in constant progress (and occasional regress).
Alias:
Jess Thompson
Birthplace:
Sydney, Australia
Jessica M. Thompson is an Emmy-nominated filmmaker who made her feature writer-directorial debut with "The Light of the Moon", winning the Audience Award for Best Narrative Film at SXSW. "The Light of the Moon", starring Stephanie Beatriz (Brooklyn Nine-Nine, In The Heights, Encanto), enjoyed a limited theatrical release to sold-out screens in both New York and Los Angeles and heralds a 97% Rotten Tomatoes score. Critics called the film "harrowingly effective" (Variety), "nuanced, honest and complex" (The Hollywood Reporter), and Film Inquiry stated that "for any filmmaker, this would be an unmitigated triumph, but for a first-time filmmaker this is revelatory." Her second directorial feature "The Invitation", a Sony Picture's gothic-thriller, had its worldwide cinematic release on August 26, 2022. It was #1 at the box office and #2 when later released on Netflix, being seen by over 12 million people in two weeks. Jess was the lead director on the Showtime/Sky series, "The End", produced by the Oscar-winning See-Saw Films (The Power of the Dog, Heartstopper, The King's Speech). The series received five-star reviews from The Guardian and The Times.
Director:
2017 The Light of the Moon
2022 The Invitation
Editor:
2017 The Light of the Moon
2022 The Invitation
Executive Producer:
2017 The Light of the Moon
2022 The Invitation
Line Producer:
2013 Seeds of Time
2017 The Light of the Moon
2022 The Invitation
Producer:
2013 Seeds of Time
2017 The Light of the Moon
2022 The Invitation
Writer:
2013 Seeds of Time
2017 The Light of the Moon
2022 The Invitation
Director:
2020 The End
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.