A work in constant progress (and occasional regress).
Birthplace:
Tehran, Iran
Azadeh Navai (born 1985, Iran) holds an MFA in Film and Video from California Institute of the Arts, and a BFA in Graphic Design from University of Tehran. She creates 16mm and digital films with the focus on visual memory, its imprints through time and its fluctuations through age. Her films have been shown in a number of venues, including New York Film Festival, International Film Festival Rotterdam, Edinburgh International Film Festival, Mothlight Microcinema, Alchemy Film and Moving Image Festival, San Diego Underground Festival and REDCAT Theater in Los Angeles. Her film, Friday Mosque, won the Jury Award at Binghamton University Film Festival (SEFF), and her other film, Remembering the Pentagons, was mentioned on Artforum in 2016, as well as winning the Best Experimental Short award at FILMADRID. In her latest piece, The Yellow Curtain, she examines the aftermath of the 1979 Iranian revolution through her grandfather's memories. Navai lives and works in Los Angeles.
Director:
2014 Friday Mosque
2015 Remembering the Pentagons
2017 The Yellow Curtain
2022 Gladiolus
2023 Rizoo
Editor:
2014 Friday Mosque
2015 Remembering the Pentagons
2017 The Yellow Curtain
2022 Gladiolus
2023 Rizoo
Producer:
2014 Friday Mosque
2015 Remembering the Pentagons
2017 The Yellow Curtain
2022 Gladiolus
2023 Rizoo
Writer:
2014 Friday Mosque
2015 Remembering the Pentagons
2017 The Yellow Curtain
2022 Gladiolus
2023 Rizoo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.