A work in constant progress (and occasional regress).
Evan Ifekoya is an artist and energy worker who through sound, text, video and performance places demands on existing systems and institutions of power, to recentre and prioritise the experience and voice of those previously marginalised. They have presented exhibitions and performances across Europe and Internationally including: Liverpool Biennial (2020); De Appel Netherlands (2019); Gasworks London (2018).
Cinematography:
2020 Collective Hum
Director:
2014 Disco Breakdown
2014 The Gender Song
2019 contoured thoughts
2020 Collective Hum
2022 Undercurrent 528
Editor:
2014 Disco Breakdown
2014 The Gender Song
2019 contoured thoughts
2020 Collective Hum
2022 Undercurrent 528
Music:
2014 Disco Breakdown
2014 The Gender Song
2019 contoured thoughts
2020 Collective Hum
2022 Undercurrent 528
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.