A work in constant progress (and occasional regress).
ADR Recordist:
1996 Alien Abduction: Intimate Secrets
1996 Castle Freak
1996 Virtual Encounters
Foley Recordist:
1996 Alien Abduction: Intimate Secrets
1996 Amityville: Dollhouse
1996 Castle Freak
1996 Little Witches
1996 Santa with Muscles
1996 Virtual Encounters
1997 Jack Frost
Music:
1987 Vicious Lips
1996 Alien Abduction: Intimate Secrets
1996 Amityville: Dollhouse
1996 Castle Freak
1996 Little Witches
1996 Santa with Muscles
1996 Virtual Encounters
1997 Jack Frost
Music Editor:
1987 Vicious Lips
1996 Alien Abduction: Intimate Secrets
1996 Amityville: Dollhouse
1996 Castle Freak
1996 Little Witches
1996 Santa with Muscles
1996 Virtual Encounters
1997 Jack Frost
1999 The Mating Habits of the Earthbound Human
Original Music Composer:
1986 Dangerously Close
1987 Vicious Lips
1994 Hong Kong 97
1996 Alien Abduction: Intimate Secrets
1996 Amityville: Dollhouse
1996 Castle Freak
1996 Little Witches
1996 Santa with Muscles
1996 Virtual Encounters
1997 Jack Frost
1999 The Mating Habits of the Earthbound Human
Sound Editor:
1986 Dangerously Close
1987 Vicious Lips
1994 Hong Kong 97
1996 Alien Abduction: Intimate Secrets
1996 Amityville: Dollhouse
1996 Castle Freak
1996 Little Witches
1996 Santa with Muscles
1996 Virtual Encounters
1997 Jack Frost
1999 The Mating Habits of the Earthbound Human
2016 Cyborg Nemesis: The Dark Rift
Special Effects Manager:
1986 Dangerously Close
1987 Vicious Lips
1994 Hong Kong 97
1996 Alien Abduction: Intimate Secrets
1996 Amityville: Dollhouse
1996 Castle Freak
1996 Little Witches
1996 Santa with Muscles
1996 Virtual Encounters
1997 Jack Frost
1999 The Mating Habits of the Earthbound Human
2016 Cyborg Nemesis: The Dark Rift
2018 Zoe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.