Eugenio Caballero

Birthplace:
Mexico City, Mexico

Eugenio Caballero (born 1972) is a Mexican production designer. He is best known for his work on Guillermo del Toro's film Pan's Labyrinth, for which he earned an Academy Award, Ariel Award, Art Directors Guild Award, Los Angeles Film Critics Association Award, as well as Goya, Satellite, and BAFTA award nominations for Best Production Design.

Additional information:

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Assistant Set Decoration:
1996  Romeo + Juliet

Production Design:
1996  Romeo + Juliet
2001  About the Living
2002  I Murder Seriously
2003  Leftie
2004  Crónicas
2006  Pan's Labyrinth
2007  Resident Evil: Extinction
2008  Rudo & Cursi
2009  Rage
2009  The Limits of Control
2010  The Runaways
2012  The Impossible
2013  Europa Report
2014  Aloft
2016  A Monster Calls
2016  Cirque du Soleil: Luzia
2016  You're Killing Me Susana
2018  Roma
2022  BARDO, False Chronicle of a Handful of Truths
2024  Pedro Páramo

Production Designer:
1996  Romeo + Juliet
2001  About the Living
2002  I Murder Seriously
2003  Leftie
2004  Crónicas
2006  Pan's Labyrinth
2007  Resident Evil: Extinction
2008  Rudo & Cursi
2009  Rage
2009  The Limits of Control
2010  The Runaways
2012  The Impossible
2013  Europa Report
2014  Aloft
2016  A Monster Calls
2016  Cirque du Soleil: Luzia
2016  You're Killing Me Susana
2018  Roma
2022  BARDO, False Chronicle of a Handful of Truths
2024  Pedro Páramo
2024  Separated

Set Decoration:
1996  Romeo + Juliet
1999  The Other Conquest
2001  About the Living
2002  I Murder Seriously
2003  Leftie
2004  Crónicas
2006  Pan's Labyrinth
2007  Resident Evil: Extinction
2008  Rudo & Cursi
2009  Rage
2009  The Limits of Control
2010  The Runaways
2012  The Impossible
2013  Europa Report
2014  Aloft
2016  A Monster Calls
2016  Cirque du Soleil: Luzia
2016  You're Killing Me Susana
2018  Roma
2022  BARDO, False Chronicle of a Handful of Truths
2024  Pedro Páramo
2024  Separated

Production Design:
2024  One Hundred Years of Solitude

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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