A work in constant progress (and occasional regress).
Alias:
Bernat Villaplana
Birthplace:
Spain
Bernat Vilaplana is a Spanish film editor. He is best known for his collaborations with J.A. Bayona and Guillermo del Toro, having worked with Bayona on The Impossible, A Monster Calls and Jurassic World: Fallen Kingdom and with del Toro on Pan's Labyrinth, Hellboy II: The Golden Army and Crimson Peak.
Editor:
2003 Beyond Re-Animator
2004 The Life
2005 The Nun
2006 Pan's Labyrinth
2008 Hellboy II: The Golden Army
2012 Animals
2012 The Forest
2012 The Impossible
2013 The Adventurer: The Curse of the Midas Box
2014 Open Windows
2014 Out of the Dark
2015 Crimson Peak
2016 A Monster Calls
2018 Jurassic World: Fallen Kingdom
2019 Je te tiens
2022 The Lord of the Rings: The Rings of Power Global Fan Screening
2024 'Lolo & Sosaku' The Western Archive
First Assistant Editor:
2002 Darkness
2003 Beyond Re-Animator
2004 The Life
2005 The Nun
2006 Pan's Labyrinth
2008 Hellboy II: The Golden Army
2012 Animals
2012 The Forest
2012 The Impossible
2013 The Adventurer: The Curse of the Midas Box
2014 Open Windows
2014 Out of the Dark
2015 Crimson Peak
2016 A Monster Calls
2018 Jurassic World: Fallen Kingdom
2019 Je te tiens
2022 The Lord of the Rings: The Rings of Power Global Fan Screening
2024 'Lolo & Sosaku' The Western Archive
Producer:
2002 Darkness
2003 Beyond Re-Animator
2004 The Life
2005 The Nun
2006 Pan's Labyrinth
2008 Hellboy II: The Golden Army
2012 Animals
2012 The Forest
2012 The Impossible
2013 The Adventurer: The Curse of the Midas Box
2014 Open Windows
2014 Out of the Dark
2015 Crimson Peak
2015 The Corpse of Anna Fritz
2016 A Monster Calls
2016 The Next Skin
2018 Jurassic World: Fallen Kingdom
2019 Je te tiens
2022 The Lord of the Rings: The Rings of Power Global Fan Screening
2024 'Lolo & Sosaku' The Western Archive
Screenplay:
2002 Darkness
2003 Beyond Re-Animator
2004 The Life
2005 The Nun
2006 Pan's Labyrinth
2008 Hellboy II: The Golden Army
2012 Animals
2012 The Forest
2012 The Impossible
2013 The Adventurer: The Curse of the Midas Box
2014 Open Windows
2014 Out of the Dark
2015 Crimson Peak
2015 The Corpse of Anna Fritz
2016 A Monster Calls
2016 The Next Skin
2018 Jurassic World: Fallen Kingdom
2019 Je te tiens
2022 The Lord of the Rings: The Rings of Power Global Fan Screening
2023 Society of the Snow
2024 'Lolo & Sosaku' The Western Archive
Writer:
2002 Darkness
2003 Beyond Re-Animator
2004 The Life
2005 The Nun
2006 Pan's Labyrinth
2008 Hellboy II: The Golden Army
2012 Animals
2012 The Forest
2012 The Impossible
2013 The Adventurer: The Curse of the Midas Box
2014 Open Windows
2014 Out of the Dark
2015 Crimson Peak
2015 The Corpse of Anna Fritz
2016 A Monster Calls
2016 The Next Skin
2018 Jurassic World: Fallen Kingdom
2019 Je te tiens
2022 The Lord of the Rings: The Rings of Power Global Fan Screening
2023 Society of the Snow
2024 'Lolo & Sosaku' The Western Archive
2024 Free Falling
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.