A work in constant progress (and occasional regress).
Birthplace:
Bogota, Colombia
Laura Huertas Millan is a French-Colombian filmmaker and visual artist, whose practise stands at the intersection between cinema, contemporary art and research. Selected in cinema festivals such as the Berlinale, Toronto International Film Festival (TIFF), Rotterdam International Film Festival, New York Film Festival and Cinéma du Réel, her films have earn prizes at the Locarno Film Festival, FIDMarseille, Doclisboa and Videobrasil, among others. More than twenty retrospectives and focus of her work have been organised around the globe, in cinematheques such as Toronto ́s TIFF Lightbox, Harvard ́s Film Archive or Bogota ́s cinematheque, and leading film festivals as Mar del Plata and Rencontres du Documentaire de Montreal. In the art field, her latest solo exhibitions were held at the MASP Sao Paulo, Maison des Arts de Malakoff and Medellin ́s Modern Art Museum. Her films have also been exhibited and screened in art institutions (Centre Pompidou Paris, Jeu de Paume, Guggenheim Museum NY, Times Art Berlin) and biennials (Liverpool, FRONT Triennial, Videobrasil, Videonnale). They are part of private and public collections (Kadist, CNAP, Banco de la República de Colombia, CIFO, FRAC Lorraine, and others). Huertas Millan holds a practise-based PhD on “Ethnographic Fictions” developed between PSL University (SACRe program) and the Sensory Ethnography Lab (Harvard University). She works as an educator in academic and alternative spaces. Since 2019, Huertas Millan is part of a research-based duo with curator and writer Rachael Rakes on critical anthropology and the aesthetics and politics of the encounter.
Cinematography:
2023 Para la Coca
Director:
2011 Journey to a Land Otherwise Known
2012 Aequador
2016 Black Sun
2017 La Libertad
2018 Jeny303
2018 The Labyrinth
2019 Jiíbie
2023 Para la Coca
Director of Photography:
2011 Journey to a Land Otherwise Known
2012 Aequador
2016 Black Sun
2017 La Libertad
2018 Jeny303
2018 The Labyrinth
2019 Jiíbie
2023 Para la Coca
Editor:
2011 Journey to a Land Otherwise Known
2012 Aequador
2016 Black Sun
2017 La Libertad
2018 Jeny303
2018 The Labyrinth
2019 Jiíbie
2023 Para la Coca
Producer:
2011 Journey to a Land Otherwise Known
2012 Aequador
2016 Black Sun
2017 La Libertad
2018 Jeny303
2018 The Labyrinth
2019 Jiíbie
2023 Para la Coca
Sound Designer:
2011 Journey to a Land Otherwise Known
2012 Aequador
2016 Black Sun
2017 La Libertad
2018 Jeny303
2018 The Labyrinth
2019 Jiíbie
2023 Para la Coca
Sound Recordist:
2011 Journey to a Land Otherwise Known
2012 Aequador
2016 Black Sun
2017 La Libertad
2018 Jeny303
2018 The Labyrinth
2019 Jiíbie
2023 Para la Coca
Writer:
2011 Journey to a Land Otherwise Known
2012 Aequador
2016 Black Sun
2017 La Libertad
2018 Jeny303
2018 The Labyrinth
2019 Jiíbie
2023 Para la Coca
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.