Jonathan Dayton (b. 1957)

Birthplace:
Alameda County, California

Born:
July 7, 1957

Jonathan Dayton (born 7 July 1957) and Valerie Faris (born 20 October 1958) are a team of American music video directors, also husband and wife, that received critical acclaim for their feature film directorial debut, Little Miss Sunshine.  Description above from the Wikipedia article  Jonathan Dayton and Valerie Faris, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


Director:
1995  R.E.M.: Rough Cut
2001  The Smashing Pumpkins - Greatest Hits Video Collection
2003  R.E.M.: In View 1988-2003 (The Best of R.E.M.)
2004  Janet Jackson: From Janet. To Damita Jo: The Videos
2004  Weezer: Video Capture Device - Treasures from the Vault 1991-2002
2005  The Check Up
2005  The Offspring - Complete Music Video Collection
2006  Little Miss Sunshine
2012  Ruby Sparks
2017  Battle of the Sexes
????  The Invite

Director of Photography:
1995  R.E.M.: Rough Cut
1997  Sick: The Life and Death of Bob Flanagan, Supermasochist
2001  The Smashing Pumpkins - Greatest Hits Video Collection
2003  R.E.M.: In View 1988-2003 (The Best of R.E.M.)
2004  Janet Jackson: From Janet. To Damita Jo: The Videos
2004  Weezer: Video Capture Device - Treasures from the Vault 1991-2002
2005  The Check Up
2005  The Offspring - Complete Music Video Collection
2006  Little Miss Sunshine
2012  Ruby Sparks
2017  Battle of the Sexes
????  The Invite

Producer:
1988  The Decline of Western Civilization Part II: The Metal Years
1995  R.E.M.: Rough Cut
1997  Sick: The Life and Death of Bob Flanagan, Supermasochist
2001  The Smashing Pumpkins - Greatest Hits Video Collection
2003  R.E.M.: In View 1988-2003 (The Best of R.E.M.)
2004  Janet Jackson: From Janet. To Damita Jo: The Videos
2004  Weezer: Video Capture Device - Treasures from the Vault 1991-2002
2005  The Check Up
2005  The Offspring - Complete Music Video Collection
2006  Little Miss Sunshine
2012  Ruby Sparks
2017  Battle of the Sexes
????  The Invite

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.