A work in constant progress (and occasional regress).
Alias:
FOG
Birthplace:
Wilmington, Delaware, USA
Born:
January 18, 1949
Franz-Olivier Giesbert (born January 18, 1949, in Wilmington, Delaware) is an American-born French journalist, author, and television presenter. Giesbert worked for Le Figaro from 1988 to 2000 and for Le Point starting in 2000. In 2013, he wrote the scenario of a documentary about his relationship with the former president, Nicolas Sarkozy, secrets d’une présidence. ("Nicholas Sarkozy, secrets of a presidency"). Giesbert hosts the cable television, weekly, literary show Le Gai Savoir on Paris Première. In 1999, the show won the Richelieu price of the Association for the Defense of French Language. Since October 2011, he hosts Les Grandes Questions on France 5. And starting in 2012, he also hosts on France 3 the monthly show Le Monde d'après ("The world after"). In 2007, he wrote the biography of Marseille's mobster Jacky le Mat, l'Immortel, adapted by Richard Berry. In 2018, he is attacked by Asia Argento and Marlène Schiappa, for explaining actresses presented as crucified and raped by Harvey Weinstein had to know what happened than, analyzed as Gaslighting, Slut shaming and Victim blaming. In 2021, the pedophile writer Gabriel Matzneff, describes him as an unwavering support. He was criticized byt Laure Adler for regretting that people didn't speak french, at the train station of Marseille. Source: Article "Franz-Olivier Giesbert" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Novel:
2010 22 Bullets
Creator:
2016 Opération Elysée
Director:
2011 Histoire Immédiate
2016 Opération Elysée
Screenplay:
2011 Histoire Immédiate
2016 Opération Elysée
Writer:
2011 Histoire Immédiate
2014 Lanester
2016 Opération Elysée
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.