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Ewan Cant

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Film Production

Director:
2014  In Conversation with the Death King
2014  Morbid Fascination: The Nekromantik Legacy
2016  Fall Breakers: The Making of 'The Mutilator'
2023  Oh, What a Night... of Horror!
2023  Scream On! The Making of The Curse of the Screaming Dead

Executive Producer:
2014  In Conversation with the Death King
2014  Morbid Fascination: The Nekromantik Legacy
2016  Fall Breakers: The Making of 'The Mutilator'
2017  Ding Dong, You're Dead! The Making of "House"
2017  Home Deadly Home: The Making of "House IV"
2017  It's Getting Weirder! The Making of "House II"
2018  Be My Victim
2018  It Was Always You, Helen
2019  Blood, Sand, and Fire: The Making of The Hills Have Eyes Part II
2021  Shop Til' You Drop!: The Making of Phantom of the Mall
2023  Oh, What a Night... of Horror!
2023  Scream On! The Making of The Curse of the Screaming Dead

Producer:
2014  From Stereo to Video
2014  In Conversation with the Death King
2014  Morbid Fascination: The Nekromantik Legacy
2015  Italia Violenta
2016  Fall Breakers: The Making of 'The Mutilator'
2016  Garage Punk Gore
2016  The Shocking Truth!
2017  Crazy for Lynn Lowry
2017  Ding Dong, You're Dead! The Making of "House"
2017  Home Deadly Home: The Making of "House IV"
2017  It's Getting Weirder! The Making of "House II"
2017  Romero Was Here: Locating The Crazies
2018  Be My Victim
2018  It Was Always You, Helen
2019  Blood, Sand, and Fire: The Making of The Hills Have Eyes Part II
2020  Italy Possessed: A Brief History of Exorcist Rip-Offs
2021  Shop Til' You Drop!: The Making of Phantom of the Mall
2023  Blood and Chopsticks: Echoes of Night Screams
2023  Oh, What a Night... of Horror!
2023  Scream On! The Making of The Curse of the Screaming Dead
2023  The Making of A Gun for Jennifer
2023  The War in Heaven: The Making of The Prophecy
2023  Two Weeks of Terror! The Making of Terror at Tenkiller
????  Through the Keyhole: An Interview with Sergio Martino

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.