Mandy Moore (b. 1984)

Alias:
Amanda Leigh Moore
マンディ・ムーア

Birthplace:
Nashua, New Hampshire, USA

Born:
April 10, 1984

Amanda Leigh Moore (born April 10, 1984) is an American singer, songwriter, and actress. She rose to fame with her debut single, "Candy", which peaked at number 41 on the Billboard Hot 100. Her debut studio album, So Real (1999), received a platinum certification from the RIAA. The title single from her reissue of So Real, "I Wanna Be With You" (2000), became Moore's first top 40 song in the US, peaking at number 24 on the Hot 100. Moore subsequently released the studio albums Mandy Moore (2001), Coverage (2003), Wild Hope (2007), Amanda Leigh (2009), Silver Landings (2020), and In Real Life (2022). As of 2009, Moore has sold over 2.7 million albums in the US according to Billboard.  Moore made her feature film debut in 2001, with a minor voice role in Dr. Dolittle 2, before playing a supporting role in the comedy The Princess Diaries. She received recognition for her starring role in the romantic drama A Walk to Remember (2002). Her subsequent film credits include Chasing Liberty (2004), Saved! (2004), Racing Stripes (2005), Because I Said So (2007), License to Wed (2007), Love, Wedding, Marriage (2011), 47 Meters Down (2017), The Darkest Minds (2018), and Midway (2019). Moore also voiced Princess Rapunzel in the Disney animated fantasy musical film Tangled (2010).  From 2016 to 2022, Moore starred as Rebecca Pearson in the NBC family drama series This Is Us, receiving nominations for a Golden Globe Award and a Primetime Emmy Award. In 2019, Moore was awarded a star on the Hollywood Walk of Fame.

Additional information:

The Search Form


Creator:
2017  Tangled: Short Cuts

Director:
2016  This Is Us
2017  Tangled: Short Cuts

Theme Song Performance:
2013  Sheriff Callie's Wild West
2016  This Is Us
2017  Tangled: Short Cuts

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.