Rose McGowan (b. 1973)

Alias:
Rose Arianna McGowan
ローズ・マッゴーワン
로즈 맥고완

Birthplace:
Florence, Tuscany, Italy

Born:
September 5, 1973

Rósa Arianna McGowan (born September 5, 1973) is a filmmaker, activist and musician. Born in Italy, she was raised in the Children of God cult, before her American parents fled back to the USA when Rose was 10 amid concerns about the community.  Settling in Oregon, McGowan was bullied at school and rebelled against her family. At 15, she legally emancipated herself from her parents and lived in a squat with drag artists, before moving to Los Angeles to try her hand at acting. Commercials, extra work and a small part in 1992’s 'Encino Man' followed, but McGowan walked away from the industry, deciding to work in cosmetology instead.  In 1994, while standing outside of an LA gym with a moody demeanor, she was discovered by a casting director for Gregg Araki’s 'The Doom Generation', believing she’d be perfect for the role of Amy Blue, an apathetic gen-X femme fatale. Her performance became synonymous with 90s punk cool, and she was nominated for Best Debut Performance at the 1996 Independent Spirit Awards.  Landing an agent, McGowan quickly found further roles, among them parts in the slasher hit 'Scream' and cult indies including 'Jawbreaker', 'Going All the Way', and 'Devil in the Flesh'. With her pale white skin and blood-red lipstick, along with a relationship with controversial rock star Marilyn Manson, McGowan was promoted as a bad girl sex symbol for the 1990s, but began to struggle finding mainstream success.  On advice from her management, McGowan joined the cast of the fantasy drama 'Charmed' in its fourth season, replacing the departed Shannen Doherty as one third of a trio of sister witches. After five seasons on the series, McGowan returned to film with roles in Brian De Palma’s 'The Black Dahlia' and the Quentin Tarantino/Robert Rodriguez double bill 'Grindhouse'.  While 'Grindhouse' garnered McGowan international attention, particularly for her role as a go-go dancer with a machine gun for a leg, it was an unhappy period in her personal life. A relationship with Rodriguez imploded, a car accident forced her to undergo extensive reconstructive surgery, and her father died.  In 2015, McGowan announced that she was walking away from acting to explore other ventures, due to her own traumatic experiences in the industry and her frustration with the quality of work promoted by Hollywood.  Her filmmaking debut, the short film 'Dawn', premiered at the 2015 Sundance Film Festival to rave reviews, and in the same year she released her debut single — an atmospheric slice of electronica called RM486. She has since become a prominent activist across social media, launching her own feminist movement known as Rose Army, and continues to work as an artist, filmmaker and musician.

Additional information:

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Director:
2015  Dawn

Presenter:
2007  Grindhouse
2015  Dawn

Creator:
2018  Citizen Rose

Executive Producer:
2018  Citizen Rose

Music:
2018  Citizen Rose

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.