A work in constant progress (and occasional regress).
Camera Operator:
2012 Titanic and Me
2014 Is Your Brain Male or Female?
2017 Harry Potter: A History Of Magic
Cinematography:
2012 Titanic and Me
2014 Is Your Brain Male or Female?
2017 Harry Potter: A History Of Magic
2019 Heston's Marvellous Menu Back to the Noughties
Director of Photography:
2012 Titanic and Me
2014 Is Your Brain Male or Female?
2015 Climate Change By Numbers
2016 The Beginning and End of the Universe
2017 Harry Potter: A History Of Magic
2018 Saving the British Bulldog
2019 Heston's Marvellous Menu Back to the Noughties
2020 Lucy Worsley's Royal Palace Secrets
2022 Survivors: Portraits of the Holocaust
Production Design:
2012 Titanic and Me
2014 Is Your Brain Male or Female?
2015 Climate Change By Numbers
2016 The Beginning and End of the Universe
2017 Harry Potter: A History Of Magic
2018 Saving the British Bulldog
2019 Heston's Marvellous Menu Back to the Noughties
2020 Lucy Worsley's Royal Palace Secrets
2021 Silenced: The Hidden Story of Disability in Britain
2022 Survivors: Portraits of the Holocaust
Camera Operator:
2003 imagineā¦
2020 Royal History's Biggest Fibs with Lucy Worsley
Director of Photography:
2003 imagineā¦
2016 Light and Dark
2020 Britain's Biggest Dig
2020 Royal History's Biggest Fibs with Lucy Worsley
2022 Lucy Worsley Investigates
2023 Disco: Soundtrack of a Revolution
2023 The Holy Land and Us: Our Untold Stories
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.