A work in constant progress (and occasional regress).
Color Timer:
2000 Boesman and Lena
2000 With a Friend Like Harry...
2005 Profils paysans : le quotidien
Colorist:
2000 Boesman and Lena
2000 With a Friend Like Harry...
2005 Profils paysans : le quotidien
2009 A Prophet
2010 Miral
2011 A Monster in Paris
2014 My Sweet Pepper Land
2016 The Alchemist Cookbook
2018 Milla
2018 Two Fridas
2021 Happiness Is a Journey
2021 The Lost Daughter
2021 What Do We See When We Look at the Sky?
2023 Before We Collapse
2023 Jeanne du Barry
2023 Let Me Go
2024 Boomerang
2024 Madame de Sévigné
2024 Meet the Barbarians
2024 Naked Gardens
2024 Suspended Time
2025 Out of Control
Digital Colorist:
2000 Boesman and Lena
2000 With a Friend Like Harry...
2005 Profils paysans : le quotidien
2009 A Prophet
2010 Miral
2011 A Monster in Paris
2012 Cosmopolis
2014 My Sweet Pepper Land
2016 The Alchemist Cookbook
2018 Milla
2018 Two Fridas
2020 Ammonite
2021 Happiness Is a Journey
2021 The Lost Daughter
2021 What Do We See When We Look at the Sky?
2023 Before We Collapse
2023 Jeanne du Barry
2023 Let Me Go
2024 Boomerang
2024 Madame de Sévigné
2024 Meet the Barbarians
2024 Naked Gardens
2024 Suspended Time
2025 Out of Control
Digital Effects Supervisor:
2000 Boesman and Lena
2000 With a Friend Like Harry...
2005 Profils paysans : le quotidien
2009 A Prophet
2010 Miral
2011 A Monster in Paris
2012 Cosmopolis
2014 My Sweet Pepper Land
2016 Jeffrey
2016 The Alchemist Cookbook
2018 Milla
2018 Two Fridas
2020 Ammonite
2021 Happiness Is a Journey
2021 The Lost Daughter
2021 What Do We See When We Look at the Sky?
2023 Before We Collapse
2023 Jeanne du Barry
2023 Let Me Go
2024 Boomerang
2024 Madame de Sévigné
2024 Meet the Barbarians
2024 Naked Gardens
2024 Suspended Time
2025 Out of Control
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.