A work in constant progress (and occasional regress).
Birthplace:
Ithaca, New York, USA
Born:
March 27, 1895
Died:
May 26, 1958
From Wikipedia, the free encyclopedia Ray June, A.S.C. (March 27, 1895 – May 26, 1958) was an American cinematographer during the early and classical Hollywood cinema. His best-known films are Babes in Arms and Funny Face.
Cinematography:
1946 The Hoodlum Saint
Director of Photography:
1915 The Lilac Splash
1922 Penrod
1923 Penrod and Sam
1924 By Divine Right
1924 Cornered
1925 The Shadow on the Wall
1925 Tracked in the Snow Country
1926 Shadow of the Law
1926 The Unknown Soldier
1927 Blondes by Choice
1927 Sumuru
1927 The Opening Night
1928 Midnight Life
1928 So This Is Love
1928 The Desert Bride
1928 The Sporting Age
1928 Through the Breakers
1929 Alibi
1929 New York Nights
1929 The Locked Door
1930 Puttin' on the Ritz
1930 Reaching for the Moon
1930 The Bat Whispers
1930 The Eyes of the World
1930 The Lottery Bride
1931 Arrowsmith
1931 Bought!
1931 Corsair
1931 Indiscreet
1932 Cynara
1932 Disorderly Conduct
1932 Horse Feathers
1932 Sinners in the Sun
1933 Another Language
1933 I Cover the Waterfront
1933 Roman Scandals
1933 Secrets
1933 The Women in His Life
1933 When Ladies Meet
1934 Hide-Out
1934 Kid Millions
1934 Riptide
1934 The Gay Bride
1934 The Girl from Missouri
1934 Treasure Island
1935 Barbary Coast
1935 China Seas
1935 Vanessa: Her Love Story
1936 Born to Dance
1936 Riffraff
1936 Suzy
1936 The Great Ziegfeld
1936 Wife vs. Secretary
1937 Espionage
1937 Live, Love and Learn
1937 Night Must Fall
1937 Saratoga
1938 Rich Man, Poor Girl
1938 Test Pilot
1938 Vacation from Love
1938 Woman Against Woman
1939 Babes in Arms
1939 Fast and Furious
1939 Honolulu
1939 Lucky Night
1940 And One Was Beautiful
1940 Little Nellie Kelly
1940 Strike Up the Band
1940 The Earl of Chicago
1940 The Man from Dakota
1941 H.M. Pulham, Esq.
1941 Love Crazy
1941 The Chocolate Soldier
1941 The Feminine Touch
1941 Ziegfeld Girl
1942 Cairo
1942 Calling Dr. Gillespie
1942 I Married an Angel
1942 Journey for Margaret
1943 I Dood It
1944 3 Men in White
1944 Marriage Is a Private Affair
1945 Keep Your Powder Dry
1945 Twice Blessed
1946 The Cockeyed Miracle
1946 The Hoodlum Saint
1947 The Beginning or the End
1948 A Southern Yankee
1948 Alias a Gentleman
1948 The Bride Goes Wild
1948 Three Daring Daughters
1949 The Secret Garden
1949 The Sun Comes Up
1950 Crisis
1950 Mrs. O'Malley and Mr. Malone
1950 Nancy Goes to Rio
1950 Shadow on the Wall
1950 The Reformer and the Redhead
1951 Callaway Went Thataway
1951 Inside Straight
1951 It's a Big Country
1951 Strictly Dishonorable
1952 Invitation
1952 Just This Once
1952 Sky Full of Moon
1953 A Slight Case of Larceny
1953 Above and Beyond
1953 Code Two
1953 Easy to Love
1953 Sombrero
1954 Day of Triumph
1954 This Is My Love
1955 The Court Jester
1956 Hot Blood
1957 Funny Face
1957 The Seventh Sin
1958 Houseboat
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.