A work in constant progress (and occasional regress).
Birthplace:
Levallois-Perret, Seine [now Hauts-de-Seine], France
Born:
August 11, 1913
Died:
January 22, 2009
Marcel Schneider (11 August 1913 – 22 January 2009) was a French writer, laureate of numerous literary awards. Schneider was born in a family of Alsatian origin who chose France after 1871. An agrégé es letters, he taught in Rouen (Jean Lecanuet was among his students), before devoting himself entirely to literature and music. He came to live in Paris and became a member of the publishing house Grasset. Both as a writer and as a historian of literature, he was an adept of fantastic literature. He recognized three masters in the fantastic field: Charles Nodier, Gérard de Nerval and Ernst Theodor Amadeus Hoffmann. A very good connoisseur of music, he published works on Schubert and Wagner and traced the history of the ballet since Louis XIV. A sympathizer of the Action française, he was close to writers as different as André Gide, Georges Dumézil and Paul Morand who bequeathed him his wardrobe. He also attended literary salons including those of Marie-Laure de Noailles, Solange de La Baume, Josette Day and Florence Gould. In the 1980s, he regularly wrote in Le Quotidien de Paris (Groupe Quotidien), founded and directed by Philippe Tesson. He was close to friends such as Jacques Brenner, Henri Sauguet and Matthieu Galey and used to publish in Brenner's Les Cahiers des Saison (1953–1962). Schneider was awarded the 1996 prix de la langue française. He is buried at Père Lachaise Cemetery (45th division). Source: Article "Marcel Schneider (writer)" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.