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Tyler Roth

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Alias:
Tyler M. Roth

Biography from TheMovieDB

Tyler Roth specializes in stylized and unique looks for his many commercial, episodic TV, music video and feature film clients. He has colored projects that have garnered awards at Sundance, Cannes, SXSW and other festivals and collaborated with many of the industry's leading talents. Recent long-form work includes the David Bowie IMAX experience Moonage Daydream for Oscar-nominated director Brett Morgen and Chris Pratt military thriller The Terminal List, Amazon Prime's highest-rated show to date. In addition, Roth colored the powerful Oscar-nominated documentary Minding the Gap for director/DP Bing Liu; WW II-set dog-fighting action film Wolf Hound and Hillary Swank-starring thriller Fatale, which was shot by the legendary Dante Spinotti, ASC, AIC. He also served as additional colorist with Jill Bogdanowicz on Marvel's Black Widow and with Stefan Sonnenfeld on Michael Bay's Ambulance.  In the commercial realm, Roth has colored spots for top brands including Cadillac, Morreale Paris, Oakley, GOLF le FLEUR* and Modelo. He recently took home the Color Grading trophy at the Berlin Commercial Awards for his work on "Juggernaut" for rapper Tyler, The Creator and he received a nomination for AICP's Post Awards in the Color Grading category (Under :60) for the eye-catching Aston Martin spot "A New Dimension." Recent music work includes projects for artists including Charlie Puth, Dua Lipa, Maluma, Kelly Rowland and Marshmello.  Roth began his career as a colorist in 2006 in Chicago. In 2012, he supervised the creation of Company 3's facility there, leading that studio before relocating to Los Angeles in 2018.

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Film Production

Associate Producer:
2014  Erebus

Cinematography:
2008  16th Street
2014  Erebus

Color Assistant:
2008  16th Street
2014  Erebus
2022  Tyler, The Creator - Live: Call Me If You Get Lost

Color Grading:
2008  16th Street
2014  Erebus
2022  The Pulpit - Prelude
2022  Tyler, The Creator - Live: Call Me If You Get Lost

Colorist:
2008  16th Street
2014  Erebus
2020  Fatale
2020  Proxy
2022  The Pulpit - Prelude
2022  Tyler, The Creator - Live: Call Me If You Get Lost

Digital Intermediate Colorist:
2008  16th Street
2014  Erebus
2020  Fatale
2020  Proxy
2022  The Pulpit - Prelude
2022  Tyler, The Creator - Live: Call Me If You Get Lost
2023  Show and Tell

Editor:
2008  16th Street
2014  Erebus
2020  Fatale
2020  Proxy
2022  The Pulpit - Prelude
2022  Tyler, The Creator - Live: Call Me If You Get Lost
2023  Show and Tell

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.